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Dahl was never seen as a particularly talented writer in his school years, with one of his English teachers writing in his school report, "I have never met anybody who so persistently writes words meaning the exact opposite of what is intended." [43] He was exceptionally tall, reaching 6 feet 6 inches (1.98 m) in adult life. [44]
Antiphrasis is the rhetorical device of saying the opposite of what is actually meant in such a way that it is obvious what the true intention is. [1] Some authors treat and use antiphrasis just as irony, euphemism or litotes. [2] When the antiphrasal use is very common, the word can become an auto-antonym, [3] having opposite meanings ...
Hopepunk is a subgenre of speculative fiction, conceived of as the opposite of grimdark. Works in the hopepunk subgenre are about characters fighting for positive change, radical kindness, and communal responses to challenges.
Mia Farrow, 79, who has been friends with Minnelli for most of their lives, also talks about the bond Minnelli shares with her children. “She’s godmother to my twins, who are 50 now, and she ...
"There was also discussion of custody, lawyers and threats of 'if this doesn't happen, I will be proceeding with divorce,'" Dorit said, adding, "He is not a man I recognize at all."
It can be a happy hour after work or a walk in nature together. You can exchange presents, or simply spend time doing an activity that you both love. It’s the little things that often count most ...
Returning to the opening scene, while Del and his friends share a smoke outside, Joan reads Rodney a bedtime story and laments how both her and Del's happy futures were ruined. The door slams and Reg comes inside, surprisingly calm and expressing relief that Del's relationship with Barbara is over, having been disturbed by Beryl's actions.
The use of the term in psychology entered English with the translation from German ("Valenz") in 1935 of works of Kurt Lewin.The original German word suggests "binding", and is commonly used in a grammatical context to describe the ability of one word to semantically and syntactically link another, especially the ability of a verb to require a number of additional terms (e.g. subject and ...