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Samsung NX1 - First prosumer camera to record in HEVC, 4K downsampled from 6.5K, 80 Mbit/s in H.265. 30 min max recording time limit Samsung NX500 - Same 28 MP APS-C sensor as NXI but 4K video is not downsampled from 6.5K so less details and more noise than the NX1 - with this 2.4× crop factor the kit lens become a 38–120mm f8.5–13.4 ...
Red Rocket is an internal PCI Express card that is capable of 4K, 2K, or 1080p real-time debayering and video playback of R3D files coming from Mysterium and Mysterium-X sensors. It can be used to accelerate video editing in compatible Non-linear editing systems, outputting the image via HD-SDI to a user-supplied monitor.
The following cameras allow audio and video to be shot in at least one raw (in the sense of a series of raw image format frames, such as in CineDNG) format. Lossy compression may be present. However, "raw" means the image data should not have gone through demosaicing and further processing, or at least the process should be reversible.
The camera offers full 1080 and 720 HD, native 1080/24p recording, variable frame rates, professional audio capabilities, and compatibility with SDHC and SDXC media. The design of the AF100’s 4/3" type sensor affords depth of field and field of view similar to that of 35mm movie cameras in a less expensive camera body.
The Thomson Viper FilmStream Camera is a digital movie camera produced by Thomson Multimedia (now Vantiva). Introduced in the early 2000s [ 1 ] as makers of feature films were turning to digital cinematography , the Viper influenced subsequent HD , UHD, and HDR cameras.
On February 27, 2014, Panasonic announced the Varicam 35 (AU-V35C1), a camera that features a 4K CMOS Super 35-sized sensor capable of filming up to 120fps. [12] It was announced alongside the Varicam HS (AU-V23HS1), a 3CMOS 2/3"-sensor camera capable of filming up to 240fps in Full HD. [ 14 ]
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