Search results
Results from the WOW.Com Content Network
According to musicologist P. Sambamurthy, "The current form of the Saraswati veena with 24 fixed frets evolved in Thanjavur, Tamil Nadu, during the reign of Raghunatha Nayak and it is for this reason sometimes called the Tanjore veena or the Raghunatha veena. The Saraswati veena contains 4 strings. It is said Govinda Dikshita father of ...
Government Term President Prime Minister Cabinet Government type Party Election Parliamentary strength Provisional government [2] [3] 1971-1972 Sheikh Mujibur Rahman. acting Syed Nazrul Islam. Tajuddin Ahmed: Mujib I: Provisional: AL: None — Constituent assembly [4] 1972-1973 Abu Sayeed Chowdhury: Sheikh Mujibur Rahman: Mujib II: Provisional ...
Veena is a type of Chordophone musical instrument, which has been mentioned in the Vedas. [4] Thanjavur veena is a type of Saraswati Veena, about 4 ft (1.2 m) long. It consists of a rounded wooden resonator and a thick, long neck, similar to a lute. The end of the neck is carved into intricate patterns and a tuning box attached to the underside ...
Vasant Panchami, also rendered Vasanta Panchami [4] [5] and Saraswati Puja in honour of the Hindu goddess Saraswati, is a festival that marks the preparation for the arrival of spring. The festival is celebrated in Indian religions in different ways depending on the region.
Mahathi - The veena of Narada (a Vedic sage). Saraswati veena - The veena of Saraswati , Hindu goddess of knowledge, music, arts, wisdom and learning. Rudra veena - As Rudra is a name for the Hindu god Shiva , rudra vina literally means "the veena dear to Shiva " .
Bangladesh, Pala period 10th–12th century C.E. Saraswati with a tube zither, an ālāpiṇī vīṇā or eka-tantrī vīṇā. [ 1 ] Eka-tantrī vīṇā at Mukteshvara Temple of Bhubaneswar , ca. 10th century C.E.
Bangladesh, Pala period 10th–12th century C.E. Saraswati with a tube zither, an ālāpiṇī vīṇā or eka-tantrī vīṇā. [ 1 ] The alapini vina is represented in sculpture with two thickness of tube or stick.
Musicians in the royal courts of Mysore, Travancore, Thanjavur kingdom and the Thondaman dynasty of Pudukottai favoured its unique bass tone accompaniment; students of the Saraswati veena were often proficient in playing the Swarabat. [6] Old manuscripts, photographs and Swarabat instruments themselves have been preserved at museums worldwide. [7]