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Palazzo style refers to an architectural style of the 19th and 20th centuries based upon the palazzi (palaces) built by wealthy families of the Italian Renaissance. The term refers to the general shape, proportion and a cluster of characteristics, rather than a specific design; hence it is applied to buildings spanning a period of nearly two ...
Despite Rococo influences in the early 18th century, true Italian Rococo interiors began to be made in the late 1720s and early 1730s. The grace and charm of Rococo furnishing succeeded the heavy and imposing Baroque style. Italian Rococo interior design was in essence copied from that of the Régence and Louis XV styles.
An Italian Baroque bedroom would feature some of the typical classical furnishings, with robust pieces that are heavily carved, and built in pieces in interior spaces. The Palazzo Sagredo bedroom, considered one of the finest examples of interior design from the period, features stucco carved in wood, and an abundance of detail in carvings ...
In the context of Italian design, it is about Italian-born design and development in various fields such as silks San Leucio and workshops Pietrarsa, shipyards of Castellammare di Stabia. The rest of Italy was characterized by fragmented political and geographical condition but industrialization was significantly present in other pre-unitary ...
Giovanni Battista Piranesi's book, Diverse Maniere d'Addornare in Cammini illustrated how he believed Neoclassical interior design to be, [1] and were unique in Europe since they combined the classical style of Neoclassical furnishings with the flamboyancy of the Rococo, creating an elaborate, yet Classical style. His works and ideas proved ...
Much furniture was also relatively grotesque (a French variation of the Italian word grottesco), often creating sculpted odd-looking gargoyles and monsters to make these items seem more amusing. [1] Caryatids became popular at the time, and were made out of marble (the rich people used them as legs to their dining tables).
The second half of the twentieth century saw a considerable change in the bedroom style. Almost non-existent before World War Two, The Western Room continued to gain traction in new constructions to the point where there is a clear relationship between the age of a building and the presence of Western-style bedrooms.
Particularly, this design ethos reconciled the modern aesthetic ideals with religion, since this particular motif was not inimical to the priorities of the modern Italian architects. It gave rise to the so-called "secular-spirituality" – an element in Italian modernism – that focuses on the concept of enlightened rationalism. [ 1 ]
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