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Highway 61 runs from Duluth, Minnesota, where Bob Dylan was born, down to New Orleans, Louisiana.It was a major transit route out of the Deep South particularly for African Americans traveling north to Chicago, St Louis and Memphis, following the Mississippi River valley for most of its 1,400 miles (2,300 km).
Highway 61 Revisited is the sixth studio album by the American singer-songwriter Bob Dylan, released on August 30, 1965, by Columbia Records.Dylan continued the musical approach of his previous album Bringing It All Back Home (1965), using rock musicians as his backing band on every track of the album in a further departure from his primarily acoustic folk sound, except for the closing track ...
The version of the song on Highway 61 Revisited is an acoustic/electric blues song, one of three blues songs on the album (the others being "From a Buick 6" and "Just Like Tom Thumb's Blues"). [2] [3] It is made up of lines taken from older blues songs combined with Dylan's own lyrics. [2]
"Desolation Row" is a 1965 song by the American singer-songwriter Bob Dylan. It was recorded on August 4, 1965, and released as the closing track of Dylan's sixth studio album, Highway 61 Revisited.
Twelve takes of "Tombstone Blues" were recorded on July 29, 1965. The last of these takes was released on Highway 61 Revisited the following month. The song received acclaim from music critics, with critics praising the lyrics, music, and delivery. The album version, and out-takes, have been included on several later compilations.
Lyrically, "Just Like Tom Thumb's Blues" in a way continues a descriptive road theme from the album's previous song, "Highway 61 Revisited." [7] The singer finds himself at Easter in Juarez, Mexico, amidst sickness, despair, whores and saints. [8]
The song was released between Highway 61 Revisited and Blonde on Blonde, as the follow-up to Dylan's hit single "Like a Rolling Stone", but was not included on either album. [10] The song's title does not appear anywhere in the lyrics and there has been much debate over the years as to the significance or which individual the song concerns.
[3] [5] The song starts with a snare shot that is similar to the opening song of Highway 61 Revisited, "Like a Rolling Stone". [ 2 ] [ 5 ] It is essentially a 12-bar blues pattern, played with power chords , and is notable for Brooks' almost indiscernible substitution of an F in the tenth bar of all but the first verses, while the guitar and ...