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George Bernard Shaw (26 July 1856 – 2 November 1950), known at his insistence as Bernard Shaw, was an Irish playwright, critic, polemicist and political activist. His influence on Western theatre, culture and politics extended from the 1880s to his death and beyond.
On the Rocks: A Political Comedy (1932) is a play by George Bernard Shaw which deals with the social crisis of the Great Depression. The entire play is set in the Cabinet Room of 10 Downing Street. It is noted for its evidence of Shaw's political evolution towards apparent support for dictatorship.
The Apple Cart: A Political Extravaganza is a 1928 play by George Bernard Shaw. It is a satirical comedy about several political philosophies which are expounded by the characters, often in lengthy monologues .
Too True to Be Good (1932) is a comedy written by playwright George Bernard Shaw at the age of 76. Subtitled "A Collection of Stage Sermons by a Fellow of the Royal Society of Literature", it moves from surreal allegory to the "stage sermons" in which characters discuss political, scientific and other developments of the day. [1]
Press Cuttings (1909), subtitled A Topical Sketch Compiled from the Editorial and Correspondence Columns of the Daily Papers, is a play by George Bernard Shaw. It is a farcical comedy about the suffragettes' campaign for votes for women in Britain. The play is a departure from Shaw's earlier Ibsenesque dramas on social issues.
The British Party System (1944) is a "playlet" by George Bernard Shaw satirically analysing the origins of the party system in British politics in the form of a pair of conversations between scheming power-brokers at various points in history, who devise it and adapt it to suit their personal ends.
George Bernard Shaw once said “a reasonable man adjusts himself to the world. An unreasonable man expects the world to adjust itself to him. Therefore, all progress is made by unreasonable ...
The classification of an individual character into one of the three categories depends on his use or rejection of ideals, which Shaw views as masks which "hide the face of […] truth". [5]: 3–18 Idealists, as their name indicates, rely exclusively on the use of masks; a realist insists on their removal. The Philistine, term for which Shaw is ...