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The cult of Dionysus was strongly associated with satyrs, centaurs, and sileni, and its characteristic symbols were the bull, the serpent, tigers/leopards, ivy, and wine. The Dionysia and Lenaia festivals in Athens were dedicated to Dionysus , as well as the phallic processions .
The original rite of Dionysus (as introduced into Greece) is associated with a wine cult (not unlike the entheogenic cults of ancient Central America), concerned with the grapevine's cultivation and an understanding of its life cycle (believed to have embodied the living god) and the fermentation of wine from its dismembered body (associated ...
Maenads are found in later references as priestesses of the Dionysian cult. In the third century BC, when the city of Magnesia wanted to establish a maenadic cult in honour of Dionysus, the Delphic Oracle bade them, "Go to the holy plain of Thebes to fetch maenads from the race of Cadmean Ino. They will bring you maenadic rites and noble ...
The musical keeps the descent of Dionysus into Hades to bring back a playwright; however, the playwrights are updated to modern times, and Dionysus is forced to choose between George Bernard Shaw and William Shakespeare. [337] In 2006, The Orion Experience, in the album Cosmicandy, included a song titled "Cult of Dionysus". The song invokes ...
The term is of importance in the context of the cult worship of Dionysus. Omophagia is a large element of Dionysiac myth; in fact, one of Dionysus' epithets is Omophagos "Raw-Eater". [1] Omophagia may have been a symbol of the triumph of wild nature over civilization, and a symbol of the breaking down of boundaries between nature and civilization.
"Heaven's Gate: The Cult of Cults" (Max) In 1997, 39 members of Heaven’s Gate, a celibate religious sect, died in a mass ritual suicide timed to the approach of the Hale-Bopp Comet. The deceased ...
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The Apollonian and the Dionysian are philosophical and literary concepts represented by a duality between the figures of Apollo and Dionysus from Greek mythology.Its popularization is widely attributed to the work The Birth of Tragedy by Friedrich Nietzsche, though the terms had already been in use prior to this, [1] such as in the writings of poet Friedrich Hölderlin, historian Johann ...
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