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Download as PDF; Printable version ... Lois Tyson classified the variations into five recognized reader-response criticism ... Tyson, Lois (2006). Critical theory ...
In addition, feminist literary criticism is concerned with the exclusion of women from the literary canon, with theorists such as Lois Tyson suggesting that this is because the views of women authors are often not considered to be universal. [4] Additionally, feminist criticism has been closely associated with the birth and growth of queer ...
Alicia Ostriker states in her essay "Stealing the Language" that "we cannot measure the work of women poets, past or present, without a thorough--and if possible demystified-- awareness of the critical context in which they have composed and continued to compose their work.
The Norton Anthology of Theory & Criticism (NATC) is an anthology of literary theory and criticism written in or translated to English that is published by the W. W. Norton & Company, one of several such compendiums. The first edition was published in 2001, with a second edition published in 2010 and a third in 2018.
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Critical theory – the examination and critique of society and culture, drawing from knowledge across the social sciences and humanities. The term has two different meanings with different origins and histories: one originating in sociology and the other in literary criticism. This has led to the very literal use of 'critical theory' as an ...
While previous figures like Virginia Woolf and Simone de Beauvoir had already begun to review and evaluate the female image in literature, [2] and second-wave feminism had explored phallocentrism and sexism through a female reading of male authors, gynocriticism was designed as a "second phase" in feminist criticism – turning to a focus on, and interrogation of female authorship, images, the ...
Cambridge criticism is a school in literary theory that focuses on the close examination of the literary text and the link between literature and social issues. [1] Members of this group exerted influence on English literary studies during the 1920s.