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Similar pottery, also characterized by incised and dotted wavy lines, along with barbed bone points, was discovered in the Lake Turkana Basin of Kenya. [1] This pottery is much like that of Northeast Africa, especially the Khartoum pottery, but there are some regional differences in the decorating motifs, implements, and tempers used in the ...
African folk art consists of a variety of items: household objects, metal objects, toys, textiles, masks, and wood sculpture. Most traditional African art meets many definitions of folk art generally, or at least did so until relatively recent dates. SUDAN basket -tray, tabar of weaved natural plant fibre, coloured in different colours
The study of African art until recently focused on the traditional art of certain well-known groups on the continent, with a particular emphasis on traditional sculpture, masks and other visual culture from non-Islamic West Africa, Central Africa, [15] and Southern Africa with a particular emphasis on the 19th and 20th centuries. Recently ...
Gary van Wyk employed these drawings during his extensive field research in South Africa and Lesotho from 1991-1994, recording women's responses to the historical patterns, including the names and meanings they ascribed to them, and later republished several of the drawings.
Mask from Gabon Two Chiwara c. late 19th early 20th centuries, Art Institute of Chicago.Female (left) and male, vertical styles. Most African sculpture from regions south of the Sahara was historically made of wood and other organic materials that have not survived from earlier than a few centuries ago, while older pottery figures are found from a number of areas.
The history of pottery in the Sindh region originates from Indus Civilization.The pottery is breathtakingly beautiful. Vessels are painted with the colours of the rainbow and then glazed with earth called "channioh" which imparted lustre and brightness to the finished products.
As a result, most decorative pots are a dark gray color while the nembwo and Small Pots lean more towards russet. To serve as a decorative quality, patterns are often carved onto the surface of the pots in addition to the animal/human figures. Many times these patterns are very thin, long lines that cover most of the pot.
The name "uli" is derived from the Igbo names of the plants ( Uli Ede eji, Uli Nkilisi, Uli Abuba, Uli Nkpo, Uli Aru nmadu) that are processed to produce the dye used to stain on designs. [5] According to local mythology, the practice developed as a gift from Ala , the goddess of earth, who blessed women with the ability to create art, as ...
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