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UA Times Square, at Times Square; opened in December 1993, closed in February 2012; [16] the site was replaced by a Louis Vuitton store, and the UA theater was relocated to the 12th to 14th floor of the mall, renamed as CINE TIMES, [17] [18] opened in November 2013. [19] Closed in March 2021, it was succeeded by Emperor Cinemas.
Hong Kong traditionally has one of the world’s highest per capita cinema attendance rates, which means that in normal years the territory usually ranks among the world’s top 20 box office ...
The site was previously occupied by the original Sharp Street tram depot of the Hong Kong Tramways, another of the Wharf's subsidiary operations acquired in 1974.The Executive Council approved Tramways' plan to relocate its depots to Sai Wan Ho and Sai Ying Pun in July 1986, on the argument that the HK$3.5 million in operating costs savings would allow for tram fares to be held down. [4]
Hong Kong has shuttered its cinemas again, for a period of two weeks beginning today. This comes as the government instituted new restrictions amid a rising wave of Covid-19 infections which is ...
Five Golden Dragons (1967) – movie 100% located in Hong Kong with opening footage set in the cross-harbor car ferry; Gambit (1966) Up to His Ears (1965) Lord Jim (1965) Road to Hong Kong (1962) The World of Suzie Wong (1960) – includes footage of the Star Ferry; Ferry to Hong Kong (1959) – starring Orson Welles and includes footage of the ...
The Sunny Chan-directed film opened Wednesday in Hong Kong and Macau at 61 theatres, playing a total of 608 sessions. That gave it […] ‘Table for Six’ Sets Hong Kong Box Office Record on ...
An Emperor Watch and Jewellery shop on Queen's Road Central, Hong Kong. Emperor Group is a diversified group of companies founded by Albert Yeung in Hong Kong. Albert Yeung's father, Mr Yeung Shing, opened a watch shop named "Shing On Kee Watch Shop" in 1942, setting the business foundation. [3]
In The Hong Kong Filmography, 1977-1997, John Charles described The Contract as "totally disarming and one of The Hui's Brothers most consistently amusing efforts" [5] while Stephen Teo in his book Hong Kong Cinema: the Extra Dimensions wrote "Michael Hui ended the decade with arguably his best film". [6]