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A Roman fresco from Pompeii, 1st century AD, depicting a Maenad in silk dress, Naples National Archaeological Museum; silks came from the Han dynasty of China along the Silk Road, a valuable trade commodity in the Roman empire, whereas Roman glasswares made their way to Han China via land and sea.
In ancient Rome businesses advertised themselves primarily through word of mouth, the usage of the trade sign, and through black or red writings inscribed on surfaces. [101] They were displayed as frescoes or mosaics. Masters would task their slaves with inscribing advertisements onto the walls of ancient Roman settlements. [102] In ancient ...
It lists cities established and built by the ancient Romans to have begun as a colony, often for the settlement of citizens or veterans of the legions. Many Roman colonies in antiquity rose to become important commercial and cultural centers, transportation hubs and capitals of global empires.
One such symbol combined the mystical "Sign of Four" with the merchant's name or initials. The "Sign of Four" [ 9 ] was an outgrowth of an ancient symbol adopted by the Romans and by Christianity, Chi Rho (XP), standing for the first two letters of Christus in Greek letters; this was simplified to a reversed "4" in medieval times.
Abronius Silo - latin poet [1]; Abudius Ruso - aedile and legate [2] [3] Portrait of Marcus Vipsanius Agrippa; Lucius Accius - tragic poet and literary scholar [4] [5] [6]; Titus Accius - jurist and equestrian [7]
Classical antiquity, also known as the classical era, classical period, classical age, or simply antiquity, [1] is the period of cultural European history between the 8th century BC and the 5th century AD [note 1] comprising the interwoven civilizations of ancient Greece and ancient Rome known together as the Greco-Roman world, centered on the Mediterranean Basin.
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Form of brickwork used in ancient Roman architecture. It consists of diamond-shaped bricks of tuff, referred to as cubilia, placed around a core of opus caementicium. Opus sectile Art technique popularized in the ancient and medieval Roman world where materials were cut and inlaid into walls and floors to make a picture or pattern.