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The social novel, also known as the social problem (or social protest) novel, is a "work of fiction in which a prevailing social problem, such as gender, race, or class prejudice, is dramatized through its effect on the characters of a novel". [1]
Literary movements are a way to divide literature into categories of similar philosophical, topical, or aesthetic features, as opposed to divisions by genre or period. Like other categorizations, literary movements provide language for comparing and discussing literary works.
A setting (or backdrop) is the time and geographic location within a narrative, either non-fiction or fiction. It is a literary element.The setting initiates the main backdrop and mood for a story.
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
In analysis of works of fiction, revisionism denotes the retelling of a conventional or established narrative with significant variations which deliberately "revise" the view shown in the original work.
Here the challenge is addressed, to recognize symbolism in a novel, meaning "if something appears particularly striking". Symbolism does not necessarily mean "a symbol". It rather refers to recognizing allegories, metaphors, metonymies, and to "decode" them, and to wonder why the narrator has just taken this choice of presentation.
The Romantic movement in English literature of the early 19th century has its roots in 18th-century poetry, the Gothic novel and the novel of sensibility. [6] [7] This includes the pre-Romantic graveyard poets from the 1740s, whose works are characterized by gloomy meditations on mortality, "skulls and coffins, epitaphs and worms". [8]
The book includes several factual errors concerning murderer Laurie Dann, who is used as an example of violence against men by women. He claimed, erroneously, that all of Dann's victims were male, that she had burned down a Young Men's Jewish Council, had burned two boys in a basement, had shot her own son and had justified the murder of Nick ...