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B'. (6:1–28) – Daniel in the lions' den; A'. (7:1–28) – A vision of four world kingdoms replaced by a fifth; The story of Daniel in the lions' den in chapter 6 is paired with the story of Shadrach, Meshach, and Abednego and the "fiery furnace" in Daniel 3. The parallels include the jealousy of non-Jews, an imperial edict requiring Jews ...
Daniel hears the lions and is afraid, but an angel comforts him reminding him that God is with him. Meanwhile, the Wisemen celebrate their supposed victory. King Darius, however, spends a restless night praying that Daniel's God is protecting him. The next morning, King Darius runs to the lions' den and finds Daniel alive and well.
Daniel 3 forms part of a chiasmus (a poetic structure in which the main point or message of a passage is placed in the centre and framed by further repetitions on either side) within Daniel 2–7, paired with Daniel 6, the story of Daniel in the lions' den: [9] A. (2:4b-49) – A dream of four kingdoms replaced by a fifth
Daniel in the Lions' Den Year c. 1614-1616 Medium oil paint, canvas Dimensions 224.2 cm (88.3 in) × 330.5 cm (130.1 in) Location National Gallery of Art Identifiers RKDimages ID: 28802 [edit on Wikidata] Daniel in the Lions' Den is a painting from around 1615 by the Flemish artist Peter Paul Rubens that is displayed in the National Gallery of Art in Washington, D.C. The painting depicts ...
B'. (6:1–28) – Daniel in the lions' den; A'. (7:1–28) – A vision of four world kingdoms replaced by a fifth; Daniel 1 serves as an introduction to the book, showing how God continues to move throughout history when men seem to have failed (i.e., how God stands for his people when they are in a foreign land and subject to an alien power ...
This is an image of the 1952 work by Robert Edward Weaver, "Daniel In the Lion's Den" (aka "Daniel") The work is executed in oil of board. Date: 15 July 2003: Source: jpeg image from the original work: Author: Photo: Markbone1 ; Painting: Robert Edward Weaver
English: Daniel in the Lions’ Den, by Henry Ossawa Tanner, 1896. This painting is lost and is now known through a photograph, through the engraving made for the Paris Salon, and by a later version (very similar) made by Tanner.
English: Daniel in the Lions' Den, by Briton Rivière. This version started out as a digital image that had the saturation increased digitally. Comparing to the version on the museum's website, the image was desaturated and cooled, to be closer to Briton's original.
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