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The House of No Man (Vietnamese: Nhà bà nữ) is a 2023 Vietnamese comedy-drama film directed and co-produced by Trấn Thành. The film stars Lê Giang , Uyển Ân , Song Luân , Trấn Thành , Khả Như , Quỳnh Lý , Phương Lan, Dương Lâm, Ngọc Giàu, and Việt Anh.
The Da He ding or Da He fangding (Chinese: 大禾方鼎; pinyin: Dà Hé fāngdǐng) is an ancient Chinese bronze rectangular ding vessel from the late Shang dynasty (c. 1600–1046 BC). Unearthed in Tanheli , Ningxiang , Hunan in 1959, it is on display in the Hunan Museum .
Đinh Bộ Lĩnh was born in 924 in Hoa Lư (south of the Red River Delta, in what is today Ninh Bình Province).Growing up in a local village during the disintegration of the Chinese Tang dynasty that had dominated Vietnam for centuries, Đinh Bộ Lĩnh became a local military leader at a very young age.
The Việt Minh (Vietnamese: [vîət mīŋ̟] ⓘ, chữ Hán: 越盟) is the common and abbreviated name of the League for Independence of Vietnam (Vietnamese: Việt Nam Độc lập Đồng minh [1] or Việt Nam Độc lập Đồng minh Hội, chữ Hán: 越南獨立同盟(會); French: Ligue pour l'indépendance du Viêt Nam), which was a communist-led national independence coalition ...
Broadcast Title Eps. Prod. Cast and crew Theme song(s) Genre Notes 3 Jan-15 Feb [10] [11]Chuyện ở tỉnh lẻ (Story in a Province) 25 VFC Đỗ Chí Hướng, Hoàng Lâm (directors); Phan Cao Toại, Hoàng Vân (writers); Minh Hòa, Duy Thanh, Trung Anh, Hồ Tháp, Thương An, Phú Thăng, Thanh Tùng, Việt Thắng, Tiến Hợi, Minh Tuấn, Thu Hường, Phú Đôn, Duy Trinh ...
The name of the movie Song Lang is taken from the name of a musical instrument that controls the rhythm in cai luong, don ca tai tu and ca Hue, carrying many concepts not only on stage but also in the spiritual life of the artist. [1] [2] The phrase "song lang" in the work is also subtly inserted by the director to refer to the two men.
The Hồng Bàng period (Vietnamese: thời kỳ Hồng Bàng Vietnamese pronunciation: [tʰəːi˨˩ ki˨˩ hoŋm˨˩ baŋ˨˩]), [4] also called the Hồng Bàng dynasty, [5] was a legendary ancient period in Vietnamese historiography, spanning from the beginning of the rule of Kinh Dương Vương over the kingdom of Văn Lang (initially called Xích Quỷ) in 2879 BC until the conquest of ...
Dang Nhat Minh defended the scene, insisting that it was an essential characteristic of Vietnamese culture. [2] The film was reviewed 13 times in total, making Dang Nhat Minh feel like he was a criminal dragged to trials after trials. [3] At last, the scene was allowed to be screened but had to be shortened. [2]