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  2. List of Janya ragas - Wikipedia

    en.wikipedia.org/wiki/List_of_Janya_ragas

    Melakarta Ragas Janya ragas are Carnatic music ragas derived from the fundamental set of 72 ragas called Melakarta ragas, by the permutation and combination of the various ascending and descending notes. The process of deriving janya ragas from the parent melakartas is complex and leads to an open mathematical possibility of around thirty thousand ragas. Though limited by the necessity of the ...

  3. Karnataka Shuddha Saveri - Wikipedia

    en.wikipedia.org/wiki/Karnataka_Shuddha_Saveri

    Karnataka Shuddha Saveri scale with shadjam at C. Karnataka Shuddha Saveri is a symmetric rāgam that does not contain gandharam or nishādam.It is a symmetric pentatonic scale (audava-audava ragam [1] [2] in Carnatic music classification - audava meaning 'of 5').

  4. Saveri - Wikipedia

    en.wikipedia.org/wiki/Saveri

    Malahari is a audava-shadava scale (5 notes in ascending and 6 in descending scale) that resembles Saveri. [2] Its ascending scale has shuddha madhyamam in place of antara gandharam, while the nishadham is dropped in descending scale. Its ārohaṇa-avarohaṇa structure is S R1 M1 P D1 S : S D1 P M1 G3 R1 S

  5. Shuddha Saveri - Wikipedia

    en.wikipedia.org/wiki/Shuddha_Saveri

    Shuddha Saveri scale with shadjam at C. Shuddha Saveri is a symmetric rāgam that does not contain gāndhāram or nishādam.It is a pentatonic scale (audava-audava ragam in Carnatic music classification – audava meaning 'of 5').

  6. Bahudari - Wikipedia

    en.wikipedia.org/wiki/Bahudari

    Bahudari ascending scale with shadjam at C Bahudari descending scale with shadjam at C. Bahudari is an asymmetric scale that does not contain rishabham.It is called a shadava-audava rāgam, [1] [2] in Carnatic music classification (as it has 6 notes in ascending and 5 notes in descending scale).

  7. Arabhi - Wikipedia

    en.wikipedia.org/wiki/Arabhi

    Arabhi raga is an Owdava-sampoorna raga meaning, 5 swaras occur in the arohana (so it is called Owdava) and in avarohana all swaras occur (so sampoorna). It is a raga without much gamakas and frequency variations, relying instead on flat notes. The important point is the swara "ga" always comes very close to "ma" so when we sing the phrase "ma ...

  8. Svara - Wikipedia

    en.wikipedia.org/wiki/Svara

    [2] [3] At its most basic comparison to western music, a swara is, essentially, a "note" of a given scale. However, that is but a loose interpretation of the word, as a swara is identified as both a musical note and tone; a "tone" is a precise substitute for sur , relating to "tunefulness".

  9. Kanakangi - Wikipedia

    en.wikipedia.org/wiki/Kanakangi

    Kanakangi scale with shadjam at C. It is the 1st rāgam in the 1st chakra Indu.The mnemonic name is Indu-Pa.The mnemonic phrase is sa ra ga ma pa dha na. [1] Its ārohaṇa-avarohaṇa structure (ascending and descending scale) has all shuddha swaras, as follows (see swaras in Carnatic music for details on below notation and terms):