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West Coast jazz refers to styles of jazz that developed in Los Angeles and San Francisco during the 1950s. West Coast jazz is often seen as a subgenre of cool jazz, which consisted of a calmer style than bebop or hard bop. The music relied relatively more on composition and arrangement than on the individually improvised playing of other jazz ...
European free jazz is a part of the global free jazz scene with its own development and characteristics. 1960s -> Flamenco jazz: Flamenco jazz is a style mixing flamenco and jazz, typified by artists such as Paco de Lucia and Camarón de la Isla. 1960s -> Free funk: A combination of avant-garde jazz with funk music 1970s -> Free jazz
As it often refers to Gerry Mulligan and his associates in California, "west coast" merely becomes synonymous with "cool," although Lester Young, Claude Thornhill, and Miles Davis were based in New York. [3] At the same time, many musicians associated with West Coast jazz "were much more involved in a hotter approach to jazz.
West Coast jazz would run into such debts as would several forms of cool jazz, but bebop has hardly any such debts in the sense of direct borrowings. On the contrary, ideologically, bebop was a strong statement of rejection of any kind of eclecticism, propelled by a desire to activate something deeply buried in self.
West Coast jazz — a Jazz genre originating in California. Subcategories. This category has the following 4 subcategories, out of 4 total. A.
List of cool jazz and West Coast jazz musicians and vocalists. A. Curtis Amy [1]: 97, 105 ...
The theoretical underpinnings of cool jazz were set out by the blind Chicago pianist Lennie Tristano, and its influence stretches into such later developments as Bossa nova, modal jazz, and even free jazz. See also the list of cool jazz and West Coast musicians for further detail.
The related term jazz-samba describes an adaptation of bossa nova compositions to the jazz idiom by American performers such as Stan Getz and Charlie Byrd. Bossa nova was made popular by Elizete Cardoso 's recording of Chega de Saudade on the Canção do Amor Demais LP , composed by Vinícius de Moraes (lyrics) and Antonio Carlos Jobim (music).