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Ecce Homo, Caravaggio, 1605. Ecce homo (/ ˈ ɛ k s i ˈ h oʊ m oʊ /, Ecclesiastical Latin: [ˈettʃe ˈomo], Classical Latin: [ˈɛkkɛ ˈhɔmoː]; "behold the man") are the Latin words used by Pontius Pilate in the Vulgate translation of the Gospel of John, when he presents a scourged Jesus, bound and crowned with thorns, to a hostile crowd shortly before his crucifixion (John 19:5).
The Ecce Homo (Latin: "Behold the Man") in the Sanctuary of Mercy church in Borja, Spain, is a fresco painted circa 1930 by the Spanish painter Elías García Martínez depicting Jesus crowned with thorns. Both the subject and style are typical of traditional Catholic art. [1]
Ecce Homo: How One Becomes What One Is (German: Ecce homo: Wie man wird, was man ist) is the last original book written by philosopher Friedrich Nietzsche before his ...
ecce Agnus Dei: behold the lamb of God: John the Baptist exclaims this after seeing Jesus [2] ecce ancilla domini: behold the handmaiden of the Lord: From Luke 1:38 in the Vulgate Bible. Name of an oil painting by Dante Gabriel Rossetti and motto of Bishopslea Preparatory School. ecce homo: behold the man
Ecce Homo (c. 1605–1609) is a painting attributed to Michelangelo Merisi de Caravaggio. It depicts the ecce homo . The artwork was brought from Italy to Spain and given to Evaristo Pérez de Castro , who kept it in his family's collection.
Ecce homo" (Latin: "Behold the Man"), is a phrase traditionally attributed to Pontius Pilate at the trial of Jesus. Ecce Homo may also refer to: Art.
The Ecce Homo (lit. ' Behold the Man ' ) is a large oil on canvas painting by Titian , signed and dated 1543. It hangs in the Kunsthistorisches Museum , in Vienna . [ 1 ]
Ecce is the Latin word meaning behold. It occurs in the following phrases: Ecce homo, Behold the man, the words used by Pontius Pilate when he presents a scourged Jesus Christ to a hostile crowd (in the late-4th-century Vulgate Latin translation of the Bible). Ecce Ancilla Domini, Behold the handmaiden of the Lord, painting by Rossetti