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Anatomy of a Devanagari typeface. Typeface anatomy describes the graphic elements that make up letters in a typeface. [1] [2] Typefaces are born from the struggle between rules and results. Squeezing a square about 1% helps it look more like a square; to appear the same height as a square, a circle must be measurably taller. The two strokes in ...
Beyond Anatomy of a Typeface Lawson has considered and discussed the classification of types. Within Anatomy, Lawson arranges the typefaces by classification. In his preface, Lawson qualifies his classification: "After using this system in the teaching of typography over a thirty-year period, I know that it is reasonably effective in the ...
Storey refers to the number of open or closed stacked counters, especially in the context of the letters a and g and their typographic variants.. The lowercase 'g' has two typographic variants: the single-storey form (with a hook tail) has one closed counter and one open counter (and hence one aperture); the double-storey form (with a loop tail) has two closed counters.
Diagram of a cast metal sort.a face, b body or shank, c point size, 1 shoulder, 2 nick, 3 groove, 4 foot.. In professional typography, [a] the term typeface is not interchangeable with the word font (originally "fount" in British English, and pronounced "font"), because the term font has historically been defined as a given alphabet and its associated characters in a single size.
Clarendon is a slab serif typeface that was released in 1845 by Thorowgood and Co. (or Thorowgood and Besley) of London, a letter foundry often known as the Fann Street Foundry. The original Clarendon design is credited to Robert Besley , a partner in the foundry, and was originally engraved by punchcutter Benjamin Fox, who may also have ...
In typography and handwriting, a descender is the portion of a letter that extends below the baseline of a font. For example, in the letter y, the descender is the "tail", or that portion of the diagonal line which lies below the v created by the two lines converging. In the letter p, it is the stem reaching down past the ɒ.
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Related fonts [ edit ] Other Monotype fonts of the hot metal period inspired by Renaissance printing included the very popular Bembo (with a roman based on a slightly later font used by Aldus Manutius ), Lutetia by Jan van Krimpen (a more personal design, as opposed to a direct revival) and the post-war Dante .