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Pete Wernick (born February 25, 1946), also known as "Dr. Banjo", is an American musician. [1]He is a five-string banjo player in the bluegrass music scene since the 1960s, founder of the Country Cooking and Hot Rize bands, Grammy nominee and educator, with several instruction books and videos on banjo and bluegrass, and a network of bluegrass jamming teachers called The Wernick Method.
He, along with Emory Lester was nominated by the International Bluegrass Music Association (IBMA) for a 2007 Instrumental Album of the Year award. [2] and presented with the 2012 Steve Martin Prize for Excellence in Banjo and Bluegrass. [3] He is a spokesman for the Deering Banjo Co., which named two Clawgrass model banjos after him. [4]
Tony is an evocative and soulful singer, a wide-ranging songwriter and a virtuoso multi-instrumental-ist adept on banjo, cello-banjo, slide guitar and baritone ukulele who mixes and matches sounds and styles with the flair of a master chef. Comparisons to Ry Cooder were rooted in Furtado's combination of jazz, Celtic, and old-time music.
James V. "Jimmy" Henley (September 2, 1963 – March 22, 2020) was an American banjo player who played bluegrass music.He won several banjo contests as a young boy. As a young boy he met country music star Roy Clark at the New Mexico State Fair and Clark invited him to perform on National television.
Roscoe Holcomb (born Roscoe Halcomb; [1] September 5, 1912 – February 1, 1981) was an American singer, banjo player, and guitarist from Daisy, Kentucky.A prominent figure in Appalachian folk music, [2] Holcomb was the inspiration for the term "high, lonesome sound", coined by folklorist and friend John Cohen.
John Cowan Hartford (December 30, 1937 – June 4, 2001) was an American folk, country, and bluegrass composer and musician known for his mastery of the fiddle and banjo, as well as for his witty lyrics, unique vocal style, and extensive knowledge of Mississippi River lore.
Anthony Cattell Trischka (born January 16, 1949) is an American five-string banjo player. Sandra Brennan wrote of him in 2021: "One of the most influential modern banjoists, both in several forms of bluegrass music and occasionally in jazz and avant-garde, Tony Trischka has inspired a whole generation of progressive bluegrass musicians."
In 1963 he became a member of Bill Monroe's Bluegrass Boys. [2] Keith's recordings and performances during these nine months with Monroe permanently altered banjo playing, and his style became an important part of the playing styles of many banjoists. After leaving the Bluegrass Boys, he joined the Jim Kweskin Jug Band playing plectrum banjo. [1]
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