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Hikaru Genji was born the second son of Emperor Kiritsubo (桐壺帝) by his lower ranked consort, Kiritsubo no Koi (桐壺更衣). Genji had peerless beauty and genius, even from infancy, and was nicknamed "the Shining Prince". His mother died when he was only three years old.
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The Tale of Genji (源氏物語, Genji monogatari, pronounced [ɡeɲdʑi monoɡaꜜtaɾi]), also known as Genji Monogatari, is a classic work of Japanese literature written by the noblewoman, poet, and lady-in-waiting Murasaki Shikibu around the peak of the Heian period, in the early 11th century. The original manuscript no longer exists.
The Third Princess, a character from The Tale of Genji (ukiyo-e by Suzuki Harunobu, ca. 1766). The characters of The Tale of Genji do not possess birth names. Instead they are assigned sobriquets derived from poetic exchanges (e.g. Murasaki takes her name from a poem by Genji), from the particular court positions they occupy (in the Tyler translation, characters are often referred to by such ...
Hikaru Genji Hikaru Genji is a royal prince and the second son of Emperor Kiritsubo. Renowned for his beauty and excellence, he was often referred to as the "Shining Prince." Due to his mother’s low rank as a concubine, the Emperor established a branch house for him called Gen. This effectively removed him from the royal family and stripped ...
The protagonist of the classical Japanese novel The Tale of Genji (The Tale of Minamoto clan)—Hikaru Genji, was bestowed the name Minamoto for political reasons by his father the emperor and was delegated to civilian life and a career as an imperial officer.
Sennen no Koi — Hikaru Genji monogatari (千年の恋 ひかる源氏物語, literally Thousand Years of Love — the Tale of shining Genji) is a 2001 Japanese film loosely based on the classical work of Heian-period Japanese literature, The Tale of Genji, directed by Tonkō Horikawa and written by Akira Hayasaka.
Close-up on purple-reddish blooms and blue flowers of the Murasaki flower or purple gromwell. Murasaki no Ue's name remains a pseudonym, as due to court manners of the author's time (the Heian period, 794–1185), it was considered unacceptably familiar and vulgar to freely address people by either their personal or family names; within the novel, the character herself, too, is unnamed, as ...