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Lacquerware collection, China, Qing dynasty Lacquerware are objects decoratively covered with lacquer.Lacquerware includes small or large containers, tableware, a variety of small objects carried by people, and larger objects such as furniture and even coffins painted with lacquer.
Writing lacquer box with Irises at Yatsuhashi, by Ogata Kōrin, Edo period (National Treasure) Inro in maki-e lacquer, Edo period, 18th century. Lacquerware (漆器, shikki) is a Japanese craft with a wide range of fine and decorative arts, as lacquer has been used in urushi-e, prints, and on a wide variety of objects from Buddha statues to bento boxes for food.
The conservation and restoration of lacquerware prevents and mitigates deterioration or damage to objects made with lacquer. The two main types of lacquer are Asian, made with sap from the Urushi tree, and European, made with a variety of shellac and natural resins. Lacquer can be damaged by age, light, water, temperature, or damaged substrate.
Lacquer-yielding trees in Thailand, Vietnam, Burma and Taiwan, called Thitsi, are slightly different; they do not contain urushiol, but similar substances called laccol or thitsiol. The result is similar but softer than the Chinese or Japanese lacquer. Burmese lacquer sets slower, and is painted by craftsmen's hands without using brushes.
Ink sticks, water droppers, and a small knife were also part of a calligrapher's set. [2] Suzuri-bako were designed to ensure that the various tools a calligrapher needed were properly organized and protected. [1] Due to the insoluble nature of resin-based lacquer, the contents of the writing box were relatively safe from moisture. [3]
Shop Now. Leandre Black Lacquer and Marble Round Coffee Table by goop. cb2.com. $2799.00
Ryukyuan lacquer, like lacquerwares from other parts of East and Southeast Asia, comes in a number of standard categories: painted lacquer, carved, incised and filled in with gold, painted with gold, and inlaid with mother-of-pearl. The use of mother-of-pearl in particular is a common feature of Ryukyuan lacquers, as is the use of particular ...
Kamakura-bori is a technique invented by Kōun (康運) or Kōen (康円), who were busshi (sculptors of Buddhist statues), in order to mass-produce Buddhist altar fittings resembling carved lacquer in a short period of time. Kamakura-bori was widely used as a box, stand or plate for daily necessities, Buddhist altar fittings and tea utensils.
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