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Blues is a music genre [3] and musical form that originated amongst African-Americans in the Deep South of the United States around the 1860s. [2] Blues has incorporated spirituals, work songs, field hollers, shouts, chants, and rhymed simple narrative ballads from the African-American culture.
Blues musicians are musical artists who are primarily recognized as writing, performing, and recording blues music. [1] They come from different eras and include styles such as ragtime - vaudeville , Delta and country blues , and urban styles from Chicago and the West Coast . [ 2 ]
Traditional blues verses in folk-music tradition have also been called floating lyrics or maverick stanzas.Floating lyrics have been described as “lines that have circulated so long in folk communities that tradition-steeped singers call them instantly to mind and rearrange them constantly, and often unconsciously, to suit their personal and community aesthetics”.
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Belting can be found all over the world in music from many different cultures. Some prominent examples of this include Mexican, African and Middle Eastern musical traditions. Belting, as it is commonly referred to in a modern American sense, can trace its origins back to the minstrel shows and the Vaudeville circuit of the Mid to Late 19th century.
Blue notes are used in many blues songs, in jazz, and in conventional popular songs with a "blue" feeling, such as Harold Arlen's "Stormy Weather". Blue notes are also prevalent in English folk music. [5] Bent or "blue notes", called in Ireland "long notes", play a vital part in Irish music. [6]
Dave Brubeck defined Rushing's status among blues singers as "the daddy of them all." [5] Late in his life, Rushing said of his singing style, "I don't know what kind of blues singer you'd call me. I just sing 'em." [5] Among his best-known recordings are "Going to Chicago", with Basie, and "Harvard Blues", with a saxophone solo by Don Byas.
"The Saint Louis Blues" (or "St. Louis Blues") is a popular American song composed by W. C. Handy in the blues style and published in September 1914. It was one of the first blues songs to succeed as a pop song and remains a fundamental part of jazz musicians' repertoire.
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