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Into the Labyrinth is the sixth studio album by Australian band Dead Can Dance, released on 13 September 1993, by 4AD.It marked a strong shift from their previous albums, putting ethnic music influences at the forefront, as would be the case in the later albums.
When Rock Band 3 was first detailed on June 11, 2010, Harmonix announced 22 of the game's 83 songs. [1] The next month, Harmonix used Facebook and Twitter to provide clues about additional songs for both Rock Band 3 and Dance Central, which they then confirmed to be six Rock Band tracks and three Dance Central tracks. [2]
The band reunited in 2016 and released the EP Waking Up, as well as a self-titled app they used to release new music on. In April of the same year, they embarked their Waking Up world tour. [15] The band went on hiatus again due to problems with the office and differences in direction among the members.
3 performed at live venues to support their album, sometime in 1988. The three studio musicians were sometimes augmented by Paul Keller on guitar, Debra Parks and Jennifer Steele on backing vocals. Their setlist mainly consisted of material from their album, including "Runaway" and an extended jam version of the cover song " Eight Miles High ".
To the Power of Three (stylised as ...To the Power of Three) is the only album by the British-American progressive rock band 3. Produced by Carl Palmer and Robert Berry, it was released in early 1988 by Geffen Records. The album contains a version of the Byrds' classic song "Eight Miles High" with altered lyrics.
Berry came into the spotlight in 1988, when he teamed with Keith Emerson and Carl Palmer (of Emerson, Lake & Palmer fame) and formed the band 3.Their only album, To the Power of Three, drew much criticism from progressive rock fans for its radio-friendly and polished 80's sound, considering the progressive pedigree of both Emerson and Palmer.
The band was founded in 1994 as a three piece: Joey Eppard on guitar and lead vocals, Josh Eppard on drums and Chris Bittner on bass. They came to the attention of Universal Records after well-received performances at the Woodstock festival in 1994, eventually getting signed in 1998, but following an unstable relationship with the label through its series of corporate mergers, the band was ...
3 Morceaux, Op. 48; Rythmes délaissés; 3 Esquisses for Cello & Piano; Marie Jaëll. Cello Sonata in A minor (1881, rev. 1886) Leoš Janáček. Pohádka or Fairy Tale (1910, rev. 1923) Presto; Daan Janssens. Wie aus der Ferne, for cello & piano (2022) Betsy Jolas. Mon Ami (1974) Petites musiques de chevet (1989) Quatre pièces en marge (1983)