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In music, the dynamics of a piece are the variation in loudness between notes or phrases.Dynamics are indicated by specific musical notation, often in some detail.However, dynamics markings require interpretation by the performer depending on the musical context: a specific marking may correspond to a different volume between pieces or even sections of one piece.
Dynamic range compression (DRC) or simply compression is an audio signal processing operation that reduces the volume of loud sounds or amplifies quiet sounds, thus reducing or compressing an audio signal's dynamic range.
Dynamics in a piece should be interpreted relative to the other dynamics in the same piece. For example, pp should be executed very softly, but if ppp is found later in the piece, pp should be markedly louder than ppp. More than three p s (ppp) or three f s (fff) are uncommon. piano (p) Gently (i.e. played or sung softly) (see dynamics) piano ...
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Acoustic theory is a scientific field that relates to the description of sound waves.It derives from fluid dynamics.See acoustics for the engineering approach.. For sound waves of any magnitude of a disturbance in velocity, pressure, and density we have
Dynamic range (abbreviated DR, DNR, [1] or DYR [2]) is the ratio between the largest and smallest measurable values of a specific quantity. It is often used in the context of signals, like sound and light.
Gradation is gradual change within one parameter, or an overlapping of two blocks of sound. Meyer lists melody, rhythm, timbre, harmony, "and the like" [12] as principal elements of music, while Narmour lists melody, harmony, rhythm, dynamics, tessitura, timbre, tempo, meter, texture, "and perhaps others". [13]
Guido Adler, however, in one of the texts that founded musicology in the late 19th century, wrote that "the science of music originated at the same time as the art of sounds", [3] where "the science of music" (Musikwissenschaft) obviously meant "music theory". Adler added that music only could exist when one began measuring pitches and ...