Search results
Results from the WOW.Com Content Network
Where art historian José Camón Aznar had attributed between 787 and 829 paintings to El Greco, Wethey reduced the number to 285 authentic works. Halldor Sœhner, a German researcher of Spanish art, recognized only 137. [7] Both Wethey and Sœhner divided in their catalogues the works in those painted by El Greco and those produced by his ...
It is considered by several authors as the masterpiece of the Venetian period of El Greco. Despite containing some Cretan elements acquired during his formal training, [4] this painting can be fully considered a work of the Italian Renaissance. Perspective emphasizes the handling of the anatomy, the application of color and drama of the scene.
Wikidata:WikiProject sum of all paintings/Catalog/The complete paintings of El Greco, 1541-1614 Metadata This file contains additional information, probably added from the digital camera or scanner used to create or digitize it.
Wikidata:WikiProject sum of all paintings/Catalog/El Greco catalog raisonné, 1969; Wikidata:WikiProject sum of all paintings/Catalog/El Greco catalogue raisonné, 1908; Wikidata:WikiProject sum of all paintings/Catalog/The complete paintings of El Greco, 1541-1614; Wikidata:WikiProject sum of all paintings/Catalog/El Greco. Domenikos ...
El Greco's altarpieces are renowned for their dynamic compositions and startling innovations. Art historian Max Dvořák was the first scholar to connect El Greco's art with Mannerism and Antinaturalism. [34] Modern scholars characterize El Greco's theory as "typically Mannerist" and pinpoint its sources in the Neoplatonism of the Renaissance. [35]
Paintings by Doménicos Theotokópoulos (Greek: Δομήνικος Θεοτοκόπουλος), called El Greco ("the Greek", 1541 – April 7, 1614), a Greek-born painter who worked in Crete, Italy and Spain
Saint Anthony of Padua (El Greco) Saint Bernardino of Siena (El Greco) Saint James the Great (El Greco) Saint John the Evangelist (El Greco, Madrid) Saint Paul (El Greco) Saint Sebastian (El Greco, 1610–1614) Saint Thomas the Apostle (El Greco) Santo Domingo el Antiguo Altarpiece; The Saviour (El Greco)
The anatomy of the human body becomes even more otherworldly in El Greco's mature works; for The Immaculate Conception (El Greco, Toledo) El Greco asked to lengthen the altarpiece itself by another 1.5 ft (0.46 m) "because in this way the form will be perfect and not reduced, which is the worst thing that can happen to a figure". A significant ...