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"Subterranean Homesick Blues" is a song by Bob Dylan, recorded on January 14, 1965, and released as a single by Columbia Records, catalogue number 43242, on March 8. [5] It is the first track on the album Bringing It All Back Home , released some two weeks later. [ 6 ]
The album opens with "Subterranean Homesick Blues", heavily inspired by Chuck Berry's "Too Much Monkey Business". "Subterranean Homesick Blues" became a Top 40 hit for Dylan. "Snagged by a sour, pinched guitar riff, the song has an acerbic tinge … and Dylan sings the title rejoinders in mock self-pity," writes music critic Tim Riley. "It's ...
Subterranean Home Sick Blues: A Tribute to Bob Dylan's Bringing It All Back Home is a 2010 digitally-released tribute to Bob Dylan's album Bringing It All Back Home. [3] [unreliable source] [2] Sixteen artists collaborated to compile the album, which was released on October 5, 2010, by Reimagine Music. [4] [5]
Tambourine Man,” a holdover from the Another Side of Bob Dylan sessions, exists on the same album as “Subterranean Homesick Blues” and “Maggie’s Farm.” It’s a fascinating pivot point ...
Director D.A. Pennebaker's iconic "Don't Look Back," a 1967 documentary on Bob Dylan, ... Documentary Now" and a host of music videos spring-boarding off the "Subterranean Homesick Blues" clip.
Dont Look Back is a 1967 American documentary film directed by D. A. Pennebaker that covers Bob Dylan's 1965 concert tour in England.. In 1998, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being deemed "culturally, historically, or aesthetically significant".
“Subterranean Homesick Blues 2022” is a starry reinterpretation of D.A. Pennebaker's original, this time with new cue card visuals dreamt up by a range of creators.
The music video references the recording of Dylan's song, "Subterranean Homesick Blues" in the 1967 D. A. Pennebaker documentary Dont Look Back. [3] The video for "Bob" is similarly shot in black-and-white, and in the same back-alley setting, with Yankovic dressing as Dylan and dropping cue cards that have the song's lyrics on them, as Dylan did in the film.
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