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In the Iliad, occasional syntactic inconsistency may be an oral tradition effect—for example, Aphrodite is "laughter-loving" despite being painfully wounded by Diomedes (Book V, 375); and the divine representations may mix Mycenaean and Greek Dark Age (c. 1150–800 BC) mythologies, parallelling the hereditary basileis nobles (lower social ...
The Iliad, or The Poem of Force" (French: L'Iliade ou le poème de la force) is a 24-page essay written in 1939 by Simone Weil. [ 1 ] [ 2 ] The essay is about Homer 's epic poem the Iliad and contains reflections on the conclusions one can draw from the epic regarding the nature of force in human affairs.
The Epic Cycle (Ancient Greek: Ἐπικὸς Κύκλος, romanized: Epikòs Kýklos) was a collection of Ancient Greek epic poems, composed in dactylic hexameter and related to the story of the Trojan War, including the Cypria, the Aethiopis, the so-called Little Iliad, the Iliupersis, the Nostoi, and the Telegony.
An analysis of the structure and vocabulary of the Iliad and Odyssey shows that the poems contain many regular and repeated phrases; indeed, even entire verses are repeated. Thus according to the theory, the Iliad and Odyssey may have been products of oral-formulaic composition , composed on the spot by the poet using a collection of memorized ...
Here she is carrying out an action Hector had ordered her to perform during their conversation in Iliad 6 (6.490–92), and this obedience is another display of womanly virtue in Homer's eyes. [17] However, Andromache is seen in Iliad 6 in an unusual place for the traditional housewife, standing before the ramparts of Troy (6.370–373 ...
The narrative focus of the Iliad is not the strategy of the war, but the psychology of the warriors, assuming common knowledge of the Trojan War as a back-story. No scholars now hold that the specific events of the tale (many involving divine intervention) are historical fact; however, few claim that the story is entirely devoid of memories of ...
Aristeiai abound in Homer's Iliad, [6] the peak being Achilles' aristeia in Books 20–22 where he almost single-handedly routs the Trojan army and then goes on to kill its champion Hector. Achilles' "extended and phenomenal solo performances in battle" [7] are shown in the epic's "longest and most murderous" series of events.
The introduction states the goals and scope of the epic, including the intention to cover the entire life of Achilles, not simply up to Hector's death as was done in the Iliad. The Achilleid opens with a traditional epic invocation of the Muses and Apollo, requesting inspiration for the poet's work and outlining the content of the poem to follow.