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Helmar Lerski (18 February 1871, in Strasbourg – 19 September 1956, in Zürich) was a photographer who laid some of the foundations of modern photography. His works are on display in the USA, Germany, Israel and Switzerland. He focused mainly on portraits and the technique of photography with mirrors. His birth name was Israel Schmuklerski.
Kalliope Amorphous (born 1978) [1] is an American interdisciplinary artist who works in a variety of media, including photography, poetry, performance art, and olfactory art. She is primarily known for her conceptual self portraits.
Pinhead mirror technology was protected under US patent 4,948,211 - "Method and Apparatus for Optical Imaging Using a Small, Flat Reflecting Surface" until the patent expired in 2009. Disco balls can be used as pinhead mirrors to project solar images. The math behind them is the same as for a square pinhole.
His 'Mirror' analogy represents self-reflective photography, represented in the book by Jerry Uelsmann, Paul Caponigro, Ralph Gibson, Duane Michals, Judy Dater and others; while the idea of the 'Window' is found in the documentary approach, exemplified by inclusions of work by Diane Arbus, Lee Friedlander, Henry Wessel, Joel Meyerowitz, and ...
In photography, the pellicle mirror has been employed in single-lens reflex (SLR) cameras, at first to enable through-the-lens exposure measurement and possibly to reduce camera shake, but later most successfully to enable fast series photography, which otherwise would be slowed down by the movement of the reflex mirror, while maintaining constant finder vision.
A creative take on the mirror and photography belongs to Lady Clementina Hawarden: the mirror is used to reflect the camera, not the subject. [ 17 ] In the late 19th century, The Bath of Psyche painting by Frederic Leighton became an iconic expression of the tripartite unity of feminine beauty, classical art, and large mirror (the painter used ...
Many large format cameras present the image of the scene being photographed as a flipped image through their viewfinders. Some photographers regard this as a beneficial feature, as the unfamiliarity of the format allows them to compose the elements of the picture properly without being distracted by the actual contents of the scene.
To complete this work he applied for and received a Guggenheim Fellowship in 1970, and Consciousness in Photography and the Creative Audience became required reading for a new course he taught at MIT called "Creative Audience." in 1971 he traveled to Puerto Rico to explore more of his color photography, and in 1974 and 1975 he journeyed to Peru ...