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Chopin at 25, by his fiancée Maria Wodzińska, 1835. The Études by Frédéric Chopin are three sets of études (solo studies) for the piano published during the 1830s. There are twenty-seven compositions overall, comprising two separate collections of twelve, numbered Op. 10 and Op. 25, and a set of three without opus number.
Nicknames have been given to most of Chopin's Études over time, but Chopin himself never used nicknames for these pieces, nor did he name them. Op. 10, 12 Études: Étude in C major (1830) Étude in A minor (1830) Étude in E major (1832) Étude in C ♯ minor (1832) Étude in G ♭ major (1830) Étude in E ♭ minor (1830) Étude in C major ...
The beginning of Chopin's Étude Op. 10 No. 3. Étude Op. 10, No. 3, in E major, is a study for solo piano composed by Frédéric Chopin in 1832. It was first published in 1833 in France, [1] Germany, [2] and England [3] as the third piece of his Études Op. 10. This is a slow cantabile study for polyphonic and expressive legato playing.
This listing uses the traditional opus numbers where they apply; other works are identified by numbers from the catalogues of Maurice J. E. Brown (B), Krystyna Kobylańska (KK), Józef Michał Chomiński (A, C, D, E, P, S), and the Chopin National Edition (WN). The last opus number Chopin used was 65, that allocated to the Cello Sonata in G ...
Marc-André Hamelin (born 1961): twelve études in minor keys, and an étude after Rimsky-Korsakov (which was the previous 1st piece of the 12 études set, but it was replaced by the Triple Étude after Chopin-Godowsky) Lowell Liebermann (born 1961): Etudes on Brahms Songs Op.88 (2004), Etudes on Songs of Robert Franz Op.91 (2005)
Étude Op. 10, No. 6, in E ♭ minor, is a study for solo piano composed by Frédéric Chopin in 1830. It was preceded by the relative key. It was first published in 1833 in France, [1] Germany, [2] and England [3] as the sixth piece of his Études, Op. 10. The tempo Andante in 6
Étude Op. 10, No. 11, in E ♭ major, is a technical study composed by Frédéric Chopin. It is sometimes known as the "Arpeggio" or "Guitar" Étude. The chief difficulty addressed in this piece is the performance of extended arpeggiated chords. Throughout, the hands are required to stretch intervals as large as twelfths.
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