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In Immanuel Kant's philosophy, a category (German: Categorie in the original or Kategorie in modern German) is a pure concept of the understanding (Verstand). A Kantian category is a characteristic of the appearance of any object in general, before it has been experienced ( a priori ).
Habermas argues that his ethical theory is an improvement on Kant's, [52] and rejects the dualistic framework of Kant's ethics. Kant distinguished between the phenomena world, which can be sensed and experienced by humans, and the noumena, or spiritual world, which is inaccessible to humans.
Kant's ethics are founded on his view of rationality as the ultimate good and his belief that all people are fundamentally rational beings. This led to the most important part of Kant's ethics, the formulation of the categorical imperative , which is the criterion for whether a maxim is good or bad.
Kant's Formula of Humanity reads: “So act that you use humanity, whether in your own person or in the person of any other, always at the same time as an end, never merely as a means” [2] Kant's ethics are centered around the idea of a "categorical imperative." It's a universal ethical principle saying that you should always value the ...
Kant considered the right prior to the good; to him, the latter was morally dependent on the former. In Kant's view, a person cannot decide whether conduct is right, or moral, through empirical means. Such judgments must be reached a priori, using pure practical reason independently of the influence of felt motives, or inclinations.
Immanuel Kant [a] (born Emanuel Kant; 22 April 1724 – 12 February 1804) was a German philosopher and one of the central Enlightenment thinkers. Born in Königsberg, Kant's comprehensive and systematic works in epistemology, metaphysics, ethics, and aesthetics have made him one of the most influential and controversial figures in modern Western philosophy.
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Johnson's theory makes use of Kant's insights that analogy is the cognitive mechanism which links sensible percepts to their conceptual categories, and that creative analogy—or what Johnson calls conceptual metaphor—is the cognitive mechanism by which we come to have our understanding of those abstract concepts and categories of which we ...