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A blurb on a book can be any combination of quotes from the work, the author, the publisher, reviews or fans, a summary of the plot, a biography of the author or simply claims about the importance of the work. In the 1980s, Spy ran a regular feature called "Logrolling in Our Time" which exposed writers who wrote blurbs for one another's books. [3]
The word "blurb", meaning a short description of a book, film, or other product written for promotional purposes, was coined by Burgess in 1906, in attributing the dust jacket of his book, Are You a Bromide?, to a "Miss Belinda Blurb" depicted "in the act of blurbing". His definition of "blurb" is "a flamboyant advertisement; an inspired ...
In literature, an epigraph is a phrase, quotation, or poem that is set at the beginning of a document, monograph or section or chapter thereof. [1] The epigraph may serve as a preface to the work; as a summary; as a counter-example; or as a link from the work to a wider literary canon, [ 2 ] with the purpose of either inviting comparison or ...
The short story begins at a party where the narrator meets her future husband and the father to her child. Upon meeting the boy at the party, the two fall madly in love, and they freely explore each other's sexual desires. However, the narrator has set boundaries in terms of what she allows from him.
[4] [48] [49] Others again define it as a book with a square-bound spine, even if it is a collection of short strips. [50] Still others have used the term to distance their work from the negative connotations the terms "comic" or "comic book" have for the public, or to give their work an elevated air.
"White Nights" (Russian: Белые ночи, romanized: Belye nochi; original spelling Бѣлыя ночи, Beliya nochi) is a short story by Fyodor Dostoevsky, originally published in 1848, early in the writer's career. [1] Like many of Dostoevsky's stories, "White Nights" is told in the first person by a nameless narrator.
The literary theory of Russian Formalism in the early 20th century divided a narrative into two elements: the fabula (фа́була) and the syuzhet (сюже́т). A fabula is the chronology of the fictional world, whereas a syuzhet is a perspective or plot thread of those events. Formalist followers eventually translated the fabula/syuzhet ...
Classic (or literary fiction): works with artistic/literary merit that are typically character-driven rather than plot-driven, following a character's inner story. They often include political criticism, social commentary, and reflections on humanity. [1] These works are part of an accepted literary canon and widely taught in schools. Coming-of-age