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The Kufic script (Arabic: الخط الكوفي, romanized: al-khaṭṭ al-kūfī) is a style of Arabic script, that gained prominence early on as a preferred script for Quran transcription and architectural decoration, and it has since become a reference and an archetype for a number of other Arabic scripts.
The Blue Quran was written in Kufic script, characterized by sharp angles and the absence of vowel markings. [2] Each page contains 15 lines, which is untraditional for the period. It was common for Qurans to have thick margins, few lines, and large spaces between words, much like the Amajur Quran, which contained three lines per horizontal ...
The Kufic style emphasizes rigid and angular strokes, it developed alongside the Naskh script in the 7th century. [11] [12] Although some scholars dispute this, Kufic script was supposedly developed around the end of the 7th century in Kufa, Iraq, from which it takes its name.
The Samarkand Kufic Quran (also known as the Mushaf Uthmani, Samarkand codex, Tashkent Quran and Uthman Qur'an) is a manuscript Quran, or mushaf, and is one of the 6 manuscripts which were penned under the caliphate of Uthman ibn Affan. They represented an effort to compile the Qur'an into a standardized version.
Hijazi manuscripts are some of the earliest forms of Quranic texts, and can be characterized by Hijazi script. [1] Hijazi script is distinguished by its "informal, sloping Arabic script." [10] The most widely used Qurans were written in the Hijazi style script, a style that originates before Kufic style script. This is portrayed by the ...
[1] [2] Kufic is the oldest form of the Arabic script. From an artistic point of view, Arabic calligraphy has been known and appreciated for its diversity and great potential for development. In fact, it has been linked in Arabic culture to various fields such as religion , art , architecture , education and craftsmanship, which in turn have ...
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Pseudo-Kufic, or Kufesque, also sometimes pseudo-Arabic, [1] is a style of decoration used during the Middle Ages and the Renaissance, [2] consisting of imitations of the Arabic script, especially Kufic, made in a non-Arabic context: "Imitations of Arabic in European art are often described as pseudo-Kufic, borrowing the term for an Arabic script that emphasizes straight and angular strokes ...