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The longer smoking pipes are used by senior Xhosa women. These long pipes are called ‘uzalipholile’ meaning ‘it arrives cooled’ which refers to the cooling effect that drawing the smoke through a long stem has. The higher the status of the woman in the community, the longer the stem of her smoking pipe.
The orphaned Nongqawuse was raised by her uncle Mhlakaza, who was the son of a councillor of Xhosa King Sarili kaHintsa. [4] Mhlakaza was a religious man, a Xhosa spiritualist, who left Xhosaland after his mother's death and spent time in the Cape Colony, where he became familiar with Christianity. He returned to Xhosaland in 1853.
The Xhosa people(/ ˈ k ɔː s ə / KAW-sə, / ˈ k oʊ s ə / KOH-sə; [2] [3] [4] Xhosa pronunciation: [kǁʰɔ́ːsa] ⓘ) are a Bantu ethnic group and nation native to South Africa. They are the second largest ethnic group in South Africa and are native speakers of the isiXhosa language .
Sarah Baartman (Afrikaans: [ˈsɑːra ˈbɑːrtman]; c. 1789 – 29 December 1815), also spelled Sara, sometimes in the diminutive form Saartje (Afrikaans pronunciation:), or Saartjie, and Bartman, Bartmann, was a Xhosa-Khoekhoe woman who was exhibited as a freak show attraction in 19th-century Europe under the name Hottentot Venus, a name that was later attributed to at least one other woman ...
She described her music as "iingoma zesiXhosa" – "songs of Xhosa culture". She was acknowledged as the leading uhadi player in Ngqoko, and was also regarded as one of the most important Xhosa song leaders of the 20th century. [1] [2] Xhosa women in traditional Xhosa attire performing. Traditional Xhosa songs are in a call-and-response form.
Xhosa people wear beaded clothes when they perform umxhentso. The name of these traditional garments is umbhaco, while their cousins, the Zulus, wear animal hide (men) and colourful clothing and beads (women). They usually paint themselves prior to performing.
Xhosa women in traditional costume wearing indigo shweshwe aprons Xhosa woman wearing a head scarf made from indigo shweshwe (on the right) The local name shweshwe is derived from the fabric's association with Lesotho's King Moshoeshoe I, [8] [9] also spelled "Moshweshwe". Moshoeshoe I was gifted with the fabric by French missionaries in the ...
The dolls are believed to have supernatural magic powers. Young Xhosa girls are encouraged by older Xhosa women to wear the dolls around their necks in order to increase their fertility during childbearing ages. The girls are usually given their first doll by their parents when they start their initiation practice.