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Aesthetics examines the philosophy of aesthetic value, which is determined by critical judgments of artistic taste; [2] thus, the function of aesthetics is the "critical reflection on art, culture and nature". [3] [4] Aesthetics studies natural and artificial sources of experiences and how people form a judgment about those sources of experience.
Aestheticism (also known as the aesthetic movement) was an art movement in the late 19th century that valued the appearance of literature, music, fonts and the arts over their functions. [ 1 ] [ 2 ] According to Aestheticism, art should be produced to be beautiful, rather than to teach a lesson , create a parallel , or perform another didactic ...
Aesthetics – branch of philosophy and axiology concerned with the nature of beauty. What type of thing is an aesthetic? Aesthetics can be described as all of the ...
Beauty in Yoruba culture is often associated with harmony, balance, and proportion. Artistic works considered ẹwà are those that are well-balanced, have emotional resonance, and are in harmony with Yoruba art's aesthetic traditions. This can apply to everything from sculptures and masks to textiles and architecture. [23] Aztec sun stone.
Beauty, together with art and taste, is the main subject of aesthetics, one of the major branches of philosophy. [3] [4] Beauty is usually categorized as an aesthetic property besides other properties, like grace, elegance or the sublime. [5] [6] [7] As a positive aesthetic value, beauty is contrasted with ugliness as its
The neglect of aesthetic theory to consider the role of sensibility in everyday life was first pointed out by Katya Mandoki who in 1994 coined the word Prosaics [4] (drawing a distinction from Aristotle’s Poetics [5] focused on art) to denote a sub-discipline that would specifically inquire the aesthetics involved in daily activities emphasizing the styles and forms of expression in face-to ...
Japanese aesthetics comprise a set of ancient ideals that include wabi (transient and stark beauty), sabi (the beauty of natural patina and aging), and yūgen (profound grace and subtlety). [1] These ideals, and others, underpin much of Japanese cultural and aesthetic norms on what is considered tasteful or beautiful .
Schopenhauer believed that while all people were in thrall to the Will, the quality and intensity of their subjection differed: Only through the pure contemplation . . . which becomes absorbed entirely in the object, are the Ideas comprehended; and the nature of genius consists precisely in the preëminent ability for such contemplation. . . .