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The double bass (/ ˈ d ʌ b əl b eɪ s /), also known as the upright bass, the acoustic bass, the bull fiddle, or simply the bass, is the largest and lowest-pitched chordophone [1] in the modern symphony orchestra (excluding rare additions such as the octobass). [2]
A number of makers have also produced double neck basses with an 8-string bass neck (double courses, tuned in octaves like a 12-string guitar) on top and a 4-string bass neck on the bottom. Double neck basses with various other combinations exist, such as 4-string/6-string and 4-string/5-string.
Jazz bass is the use of the double bass or electric bass guitar to improvise accompaniment ("comping") basslines and solos in a jazz or jazz fusion style. Players began using the double bass in jazz in the 1890s to supply the low-pitched walking basslines that outlined the chord progressions of the songs .
The bass guitar, electric bass or simply bass (/ b eɪ s /) is the lowest-pitched member of the guitar family. It is a plucked string instrument similar in appearance and construction to an electric or acoustic guitar , but with a longer neck and scale length .
Alex Dixon holding two bass instruments: a bass guitar (left) and a double bass (right). A bass instrument (/ b eɪ s /) is a musical instrument that produces tones in the low-pitched range C 2 –C 4. [1] Basses belong to different families of instruments and can cover a wide range of musical roles.
They can be electric bass or acoustic bass. In many genres, it has largely replaced the double bass. As with its electric guitar and acoustic guitar counterparts, music from the mid-20th century has led to various instrument manufacturers producing signature models that are endorsed by an artist.
The Ashbory bass is a solid body fretless bass guitar designed by Alun Ashworth-Jones and Nigel Thornbory. It is 18 inches long, almost half the size of a standard bass guitar. When amplified, the Ashbory reproduces the low, resonant bass tone of a plucked double bass. [1]
Introduced in 1958, the EB-2 was the bass guitar equivalent of the popular Gibson ES-335. It featured a 335-style semi-hollow body, a short 30.5" scale neck and one large "Sidewinder" humbucking pickup in the neck position. The electronics consisted of a single volume and tone knob. The EB-2N had natural finish, the EB-2 sunburst.
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