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The first Chicago Film Critics Association Award for Best Cinematography went to Dean Semler for his work on Dances with Wolves. [3] The most recent recipient of this award is Jomo Fray for Nickel Boys. [4] Roger Deakins is the cinematographer with the most nominations (13); those have resulted in the most wins (4).
Peter Gilbert (born 1957 or 1958 [1]) is an American documentary filmmaker, film producer, and cinematographer. He was the cinematographer and one of the producers of Hoop Dreams, a 1994 documentary about two teenage basketball players in Chicago. [2]
Printers Row, [1] also known as Printing House Row, is a neighborhood located in the south of the Chicago downtown area known as the Loop. The heart of Printers Row is generally defined by Ida B. Wells Drive on the north, Polk Street on the south, Plymouth Court on the east, and the Chicago River on the west. [2]
Born in Chicago in 1892, Boyle enjoyed his first credit as a cinematographer in 1925. Three years later, he was the director of photography on one of the silent cinema's biggest comedy hits, Tillie's Punctured Romance.
Module:Location map/data/United States Chicago Downtown is a location map definition used to overlay markers and labels on an equirectangular projection map of Downtown Chicago. The markers are placed by latitude and longitude coordinates on the default map or a similar map image.
He worked as a lab technician for the American Film Manufacturing Company (known as Flying A), also in Chicago. [ 2 ] Seitz got his first chance to establish himself as lead cameraman in 1916, and he achieved great success with the director Rex Ingram , most famously on the Rudolph Valentino film The Four Horsemen of the Apocalypse (1921).
Michael Goi (born March 4, 1959) is an American cinematographer and film director.. He is well known for his work on Showtime ' s Web Therapy, and for his work with Ryan Murphy and Brad Falchuk on Glee, Scream Queens and American Horror Story.
Richard Howard Kline ASC (November 15, 1926 – August 7, 2018) [1] was an American cinematographer, known for his collaborations with directors Richard Fleischer and Michael Winner. [2] He was a second-generation filmmaker, being the son of cinematographer Benjamin H. Kline and the nephew of ASC co-founder Phil Rosen.