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Sri Lankan literature is the literary tradition of Sri Lanka. The largest part of Sri Lankan literature was written in the Sinhala language, but there is a considerable number of works in other languages used in Sri Lanka over the millennia (including Tamil, Pāli, and English). However, the languages used in ancient times were very different ...
Sinhala idioms (Sinhala: රූඩි, rūḍi) and colloquial expressions that are widely used to communicate figuratively, as with any other developed language. This page also contains a list of old and popular Sinhala proverbs , which are known as prastā piruḷu ( ප්රස්තා පිරුළු ) in Sinhala.
Batta is a form of hopscotch in which players must hop through various boxes while moving a stone forward through the boxes. Stepping on the ground with a disallowed foot, stepping on the lines between the boxes, or moving the stone into a disallowed area causes a player to lose.
Sinhala slang is used by speakers of ... it is also difficult to find instances of colloquial slang in any form of formal literature. Also certain slang (specially ...
Tamil loanwords in Sinhala can appear in the same form as the original word (e.g. akkā), but this is quite rare.Usually, a word has undergone some kind of modification to fit into the Sinhala phonological (e.g. paḻi becomes paḷi(ya) because the sound of /ḻ/, [], does not exist in the Sinhala phoneme inventory) or morphological system (e.g. ilakkam becomes ilakkama because Sinhala ...
Exception from the standard are the romanization of Sinhala long "ä" ([æː]) as "ää", and the non-marking of prenasalized stops. Sinhala words of English origin mainly came about during the period of British colonial rule in Sri Lanka. This period saw absorption of several English words into the local language brought about by the ...
Exception from the standard are the romanization of Sinhala long "ä" ([æː]) as "ää", and the non-marking of prenasalized stops. Sinhala words of Portuguese origin came about during the period of Portuguese colonial rule in Sri Lanka between 1505–1658. This period saw rapid absorption of many Portuguese words into the local language ...
It is said that Senanayake became more prone to artistic side of the work because he was influenced by foreign literature. Being influenced by French and Russian literature would have forced Senanayake to exceed the limits of Sinhala short stories. G.B. was most influenced by French short story styles, especially [Guy de Maupassant].