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Historical dance (or early dance) is a term covering a wide variety of Western European-based dance types from the past as they are danced in the present. Today historical dances are danced as performance , for pleasure at themed balls or dance clubs, as historical reenactment , or for musicological or historical research.
Social dance plays a significant role in our society because it brings people together in a way that nothing else does. Social dancing is just that - social. Its purpose is not for competition or for performance. It is fun and is part of culture and society. It serves "as the social center" and "the artistic release" in society. [1]
In the early 20th century, Americans began pairing Victorian dances such as the Two-Step with Ragtime music. Other dances included the African American Cakewalk, and animal dances such as the Turkey Trot. The most popular social dance of the time was the One-Step. The dance consisted of couples taking one step on each beat of the music, so even ...
In the early 1970s, disco spawned a succession of dance fads including the Bump, the Hustle, and the Y.M.C.A. This continued in the 1980s with the popular song " Walk like an Egyptian " [ 2 ] , [ clarification needed ] in the 1990s with the " Macarena ", in the 2000s with " The Ketchup Song " and in the 2010s with " Gangnam Style ".
Renaissance dances belong to the broad group of historical dances, specifically those during the Renaissance period. During that period, there was a distinction between country dances and court dances. Court dances required the dancers to be trained and were often for display and entertainment, whereas country dances could be attempted by anyone.
Dances of the aristocracy was an important courtly pastime as attested since at least the 14th century. The earliest known dance instruction books are dated by the 15th century and they described the dances of the high society. However, the earliest records of the dancing of ordinary folk date by the end of the 16th century. [2]
Dance: a very social history. New York: The Metropolitan Museum of Art. ISBN 9780870994869. Wood, Melusine (1952). Some historical dances twelfth to nineteenth century; their manner of performance and their place in the social life of the time, London: Imperial Society of Teachers of Dancing.
She often based her dances on the work of black writers and on racial issues, such as Langston Hughes's 1944 The Negro Speaks of Rivers, and Lewis Allan's 1945 Strange Fruit (1945). Her dance company developed into the Pearl Primus Dance Language Institute. [6] Alvin Ailey (1931-1989) studied under Lester Horton, Bella Lewitzky, and later ...