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Roman pantomime was a production, usually based upon myth or legend, for a solo male dancer—clad in a long silk tunic and a short mantle (pallium) that was often used as a "prop"—accompanied by a sung libretto (called the fabula saltica or "dance-story") rendered by a singer or chorus (though Lucian states that originally the pantomime ...
The story is also used as a basis for pantomimes. However, for various reasons including both the brevity of the original and the target pantomime audience of young children, modern pantomimes by this name usually combine this story with parts of the modern Robin Hood story (employing the supporting characters from it, such as Maid Marian ...
A pantomime dame is a traditional role in British pantomime. It is part of the theatrical tradition of travesti portrayal of female characters by male actors in drag . Dame characters are often played either in an extremely camp style, or else by men acting butch in women's clothing.
As with many pantomimes of the Victorian era, the piece consisted of a story involving evil spirits, young lovers and "transformation" scenes, followed by a harlequinade. The piece premiered at the Lyceum Theatre, London on 26 December 1867. It was the only pantomime written by Gilbert alone, although before and afterwards he collaborated with ...
This explicit shushing is a common thread throughout the Grimms' take on folklore; spells of silence are cast on women more than they are on men, and the characters most valued by male suitors are those who speak infrequently, or don't speak at all. On the other hand, the women in the tales who do speak up are framed as wicked.
Pantomime in America, as in England, is usually performed at Christmas time. The entertainments, aimed at families, are based on nursery stories and fairy tales , and they incorporate songs (traditional, popular and new), slapstick comedy , often topical jokes , magic, some cross-dressing , local references, audience participation, and mild ...
Sarah Bernhardt as Hamlet. Travesti is a theatrical character in an opera, play, or ballet performed by a performer of the opposite sex.. For social reasons, female roles were played by boys or men in many early forms of theatre, and travesti roles continued to be used in several types of context even after actresses became accepted on the stage.
These Virtues were seen as role models for the women of the Abbey, who took joy in overcoming their weaknesses and defeating the Devil in their own lives. Chorus of the Prophets and Patriarchs (sung by a male chorus) Chorus of Souls (sung by a women's chorus) The Devil (a male voice -- [ 7 ] the Devil does not sing, he only yells or grunts ...