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The Regalia of the Pharaoh or Pharaoh's attributes are the symbolic objects of royalty in ancient Egypt (crowns, headdresses, scepters). In use between 3150 and 30 BC, these attributes were specific to pharaohs , but also to certain gods such as Atum , Ra , Osiris and Horus .
The Rosicrucian Egyptian Museum (REM) is devoted to ancient Egypt, located at Rosicrucian Park in the Rose Garden neighborhood of San Jose, California, United States. It was founded by the Ancient Mystical Order Rosae Crucis (AMORC). The Rosicrucian order continues to support and expand the museum and its educational and scientific activities.
Taurus, or Bull (fl. c. 3310 B.C.) is the provisional name for a predynastic ruler, the existence of whom is highly controversial. He is considered a ruler of the late Chalcolithic Naqada III culture of southern Egypt .
Nobility and Pharaohs, typically: The Wilbour Plaque,c. 1352–1336 B.C.E., Brooklyn Museum 16.48, probably depicting Akhenaten and Nefertiti. On the left, the Pharaoh wears the Khat headdress, and on the right, the queen wears the Cap crown. Deshret (Red crown) Uraeus: Pharaohs of Lower Egypt and the desert Red Land; the deities Horus, Wadjet ...
The crook and flail (heka and nekhakha) were symbols used in ancient Egyptian society. They were originally the attributes of the deity Osiris that became insignia of pharaonic authority. [1]
The ancient Egyptian Bull (hieroglyph), Gardiner sign listed no. E1, is the representation of the common bull. The bull motif is dominant in protodynastic times (see Bull Palette), and also has prominence in the early dynastic Egypt, famously on the Narmer Palette. Its phonetic value is kꜣ (Egyptological pronunciation "ka").
The Bull Palette (remainder piece about 10 inches (25 cm)) is made of mudstone or schist, and is etched in more atypical medium to medium-low relief than similar cosmetic palettes. A presumed 'fortified city' on the obverse (front) in the upper register has a major loss of the city-rectangle on upper left showing this medium-level bas relief .
Nefertiti bust, from the 18th dynasty, New kingdom Egyptian death mask from the 18th dynasty. Louvre, Paris portrait of Meritamun, 19th dynasty of Egypt. Portraiture in ancient Egypt forms a conceptual attempt to portray "the subject from its own perspective rather than the viewpoint of the artist ... to communicate essential information about the object itself". [1]