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"Để Mị nói cho mà nghe" ("Let Mị tell you something") is a song by Vietnamese singer Hoàng Thùy Linh in her third studio album, Hoàng (2019). It was released by The Leader Entertainment on June 19, 2019 as the lead single from the album. The song was written by Thịnh Kainz, Kata Trần, T-Bass, and is produced by Kainz himself.
Inspired by Bach, a part of Sony Classical celebrates Bach, presented the contemporary cellist Yo-Yo Ma performing the six Suites for Unaccompanied Cello by Johann Sebastian Bach, in a series of six films, each showing a collaboration with artists from different disciplines.
Bà con ơi! Sắc màu cuộc sống; Lá lành đùm lá rách; Sách cho nông dân; Văn bản chính sách pháp luật mới về Nông nghiệp - Nông thôn; Bản tin chính sách, việc làm cho nông thôn; Nông thôn mới; Chuyện trong xóm ngoài làng; Trang chăn nuôi; Chuyện của làng; Điểm báo; Bản tin thị ...
A remix version featuring Farruko was released on October 5, 2018. The remix video has received over 2.0 billion views on YouTube . [ 1 ] [ 2 ] Since its release, the song has become a huge success, topping the charts of Argentina, Bolivia, Chile, Colombia, Costa Rica, the Dominican Republic, El Salvador, Guatemala, Italy, Mexico, Panama ...
The best known of these, "Bist du bei mir", was however not composed by Bach. An aria by Bach was rediscovered in the 21st century, and was assigned the number BWV 1127. [2] Further hymn settings and arias by Bach are included in his cantatas, motets, masses, passions, oratorios and chorale harmonisations (BWV 1–438
The Prelude and Fugue in G-sharp minor, BWV 887, is the eighteenth prelude and fugue in the second volume of The Well-Tempered Clavier by Johann Sebastian Bach. It was written in 1738. It was written in 1738.
See Tình" is a pun on the Vietnamese word "si tình", which means "to fall in love" or "madly in love". [ 8 ] [ 9 ] [ 11 ] The song is described as having a disco-pop and dance-pop style [ 12 ] and has a retro vibe with a pentatonic -sounding chorus that takes the listener along the West River with a cải lương piece.
Bach's duties as an organist included accompanying congregational singing, and he was familiar with the Lutheran hymns. Some of Bach's earliest church cantatas include chorale settings, although he usually incorporates them into just one or two movements. Hymn stanzas are most typically included in his cantatas as the closing four-part chorale.