Search results
Results from the WOW.Com Content Network
In 1976, Lucchi founded a school for bowmaking in Cremona, Italy, [1] where he taught courses in bow construction, maintenance and restoration, as well as style and design. In 1983, Lucchi invented the Lucchi Meter, a device used to measure the speed of sound in wood that has become a standard tool not only for bow makers.
Hermann Wilhelm Prell (1875–1925) was a skillful German bow maker. He was born on July 29, 1875, in Bad Brambach, Germany. Hermann Wilhelm spent his formative years as a pupil of Heinrich Hoyer. In the early years afterwards he worked for Albert Nurnberger (1893–1895) and August Rau (1896).
A bow maker/archetier is a person who builds, repairs or restores ancient or modern bows for bowed string instruments Pages in category "Bow makers" The following 74 pages are in this category, out of 74 total.
Marcel Charles Lapierre (1907–1979) was a French bow maker/archetier who has been described as a "maker of very fine bows much sought after by soloists." [1] Born 1907 in Mirecourt, served his apprenticeship in Jérôme Thibouville Lamy from 1921 to 1923. After his apprenticeship he joined Brouiller & Lotte's workshop.
Émile Auguste Ouchard (24 July 1900–14 February 1969) was a French bow maker of repute and son and pupil of Émile François Ouchard. Honors & awards include the Grand Prix of the 1942 International Paris Exhibition.
Bernard Ouchard (15 February 1925, in Mirecourt – 2 June 1979, in Vittel) was a French master bow maker and teacher in the School of Violin and Bowmaking of Mirecourt, France. He is considered by some to have been the last historical French master bow maker.
Frank Passa (1916–2001) was an internationally known American maker of bows and violins (archetier and luthier). A native of New York City, Frank Passa was born in 1916 to poor Sicilian immigrants. He was a pupil of Simone Fernando Sacconi a very talented violin maker from Italy.
Each supplied bows in his own characteristic style, making possible their identification. In addition, lesser makers worked for Pajeot and are not identifiable. Pajeot made both round and octagonal bows; the former are more often seen. The pernambuco wood is often of superb quality, frequently of a veined, dark rich colour.