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"Sunday Mornin' Comin' Down" is a song written by Kris Kristofferson that was recorded in 1969 by Ray Stevens before becoming a No.1 hit on the Billboard US Country chart for Johnny Cash. History [ edit ]
The commercial success of "Sunday Mornin' Comin' Down" led to the first of several industry awards nominations for the singer. Johnny Cash's rendition of the single earned Kristofferson his first Country Music Association award for Song of the Year that November. [28] Kristofferson with Rita Coolidge at the 1972 Dripping Springs Reunion
Kris Kristofferson didn’t just write songs like he was destined for country music’s Mt. Rushmore; with his windswept hair and his craggy face, the singer and songwriter also looked like a guy ...
Sunday Morning Coming Down is a Johnny Cash album, released in 1972. It is a compilation of previously released tracks. It is a compilation of previously released tracks. It consists of songs previously recorded on albums made from prison concerts or live albums and has songs such as "Folsom Prison Blues", "Orange Blossom Special", "Understand ...
Malone wrote, "'Why Me, Lord'" - as the song is sometimes known - "may seem greatly out of character for Kristofferson, but it can be interpreted as his own personal religious rephrasing of 'Sunday Morning Coming Down.' In this case, he is 'coming down' not from drugs, but from the whole hedonistic euphoria of the (1960s)."
The Austin Sessions is a studio album by Kris Kristofferson, released on Atlantic Records in 1999. It features stripped-down versions of Kristofferson's most famous material, including "Me and Bobby McGee", "Sunday Mornin' Comin' Down" and "Help Me Make It Through the Night".
Four YAIAA teams remain in the playoffs after the second week of postseason action.
In the 1970s, Beckham became a major power on Music Row, [4] and nurtured many great songwriters who wrote classic hits like "Me and Bobby McGee" and "Sunday Morning Coming Down" (Kris Kristofferson), and Elvis Presley's "Burning Love" (Dennis Linde). Beckham was a gruff but supportive father figure to his staff songwriters, whom he truly loved.