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  2. Vocal warm-up - Wikipedia

    en.wikipedia.org/wiki/Vocal_warm-up

    A vocal warm-up is a series of exercises meant to prepare the voice for singing, acting, or other use. Vocal warm-ups are essential exercises for singers to enhance vocal performance and reduce the sense of effort required for singing. Research demonstrates that engaging in vocal warm-ups can temporarily elevate vocal effort, which normalizes ...

  3. Estill Voice Training - Wikipedia

    en.wikipedia.org/wiki/Estill_Voice_Training

    Other figures are historically part of the model including vocal fold mass [7] which is now part of true vocal fold body-cover control, vocal fold plane [7] which is now part of true vocal folds body-cover control and exercises for falsetto quality, and pharyngeal width [2] [27] which is now part of false vocal folds control and head and neck ...

  4. Vocal Coach Eric Vetro's New Course to 'Improve' Your Voice ...

    www.aol.com/vocal-coach-eric-vetros-course...

    The 68-year-old vocal coach recently offered up his skills for BBC Maestro's "Sing Like the Stars ... Complete with over 100 vocal exercises for various ranges as well as dozens of pages of course ...

  5. Vocal pedagogy - Wikipedia

    en.wikipedia.org/wiki/Vocal_pedagogy

    There are several purposes for vocal exercises, including: [1] Warming up the voice; Extending the vocal range "Lining up" the voice horizontally and vertically; Acquiring vocal techniques such as legato, staccato, control of dynamics, rapid figurations, learning to comfortably sing wide intervals, and correcting vocal faults.

  6. Wanna Sing Like Springsteen? Famed Vocal Coach Eric Vetro ...

    www.aol.com/entertainment/wanna-sing-springsteen...

    By we, unfortunately, I mean I was singing, and I was really trying my best. Sitting, and eventually standing, in front of my computer in my spare bedroom office, I was doing vocal exercises ...

  7. Roger Love - Wikipedia

    en.wikipedia.org/wiki/Roger_Love

    Love's vocal method focuses on diaphragmatic breathing, daily vocal exercises, and bridging the head voice and chest voice via the “middle voice”. [8] Love analyzes his clients’ voices by asking them to sing a musical scale that includes very low and very high notes.

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