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An engawa is part of the house, and shoes are therefore not worn on it. Guests' shoes are lined up pointing outwards. Guests' shoes are lined up pointing outwards. While engawa declined with the Westernization of Japanese architecture, [ 4 ] they are making a comeback in modern architecture.
Shoin-zukuri (Japanese: 書院造, 'study room architecture') is a style of Japanese architecture developed in the Muromachi, Azuchi–Momoyama and Edo periods that forms the basis of today's traditional-style Japanese houses.
Nagaya (長屋, "longhouse") is a type of Japanese rowhouse that was typical during the Edo period (1603–1868). [ 1 ] Nagaya was a long housing complex under the same ridge, one or two stories high, divided into small compartments for rent.
In the Azuchi-Momoyama period not only sukiya style but the contrasting shoin-zukuri (書院造) of residences of the warrior class developed. While sukiya was a small space, simple and austere, shoin-zukuri style was that of large, magnificent reception areas, the setting for the pomp and ceremony of the feudal lords.
As the style developed, the moya became a formal, public space, and the hisashi was divided into private spaces. [5] Since the shinden-zukuri-style house flourished during the Heian period, houses tended to be furnished and adorned with characteristic art of the era. In front of the moya across the courtyard is a garden with a pond.
Unlike other forms of Japanese architecture (such as those of the sukiya (数寄屋) style), it is the structure rather than the plan that is of primary importance to the minka. [3] Minka are divided up with primary posts that form the basic framework and bear the structural load of the building; secondary posts are arranged to suit the ...
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Transition from Shinden style to Shoin style. Between the young man and the seated nun, sliding fusuma; behind them, non-sliding fusuma. On the young man's side, hajitomi shutters, horizontally split, with the upper half held up by hooks. On the nun's side, there are diagonally-planked sliding maira-do. Behind the young man speaking with the ...
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