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Musical form unfolds over time through the expansion and development of these ideas. In tonal harmony, form is articulated primarily through cadences, phrases, and periods. [2] "Form refers to the larger shape of the composition. Form in music is the result of the interaction of the four structural elements," of sound, harmony, melody, and ...
Popular music often makes use of strophic form, sometimes in conjunction with the twelve bar blues. [102] In the tenth edition of The Oxford Companion to Music, Percy Scholes defines musical form as "a series of strategies designed to find a successful mean between the opposite extremes of unrelieved repetition and unrelieved alteration."
The Black Crook was a long-running musical on Broadway in 1866. [1]Musical theatre is a form of theatrical performance that combines songs, spoken dialogue, acting and dance.. The story and emotional content of a musical – humor, pathos, love, anger – are communicated through words, music, movement and technical aspects of the entertainment as an integrated who
Minimusical refers to works of musical theatre where elements of a musical, especially songs and dialogue, are incorporated into a short work for performance. [1] Minimusicals are generally designed to be performed by children or teens in a classroom, camp or concert setting. [2] [3] They often last only about ten minutes in duration, but some ...
Baroque opera arias and a considerable number of baroque sacred music arias was dominated by the Da capo aria which were in the ABA form. A frequent model of the form began with a long A section in a major key, a short B section in a relative minor key mildly developing the thematic material of the A section and then a repetition of the A section. [4]
Some definitions refer to music as a score, or a composition: [18] [7] [19] music can be read as well as heard, and a piece of music written but never played is a piece of music notwithstanding. According to Edward E. Gordon the process of reading music , at least for trained musicians, involves a process, called "inner hearing" or "audiation ...
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The term was first applied to music during the 16th century, at first to refer to the imaginative musical "idea" rather than to a particular compositional genre.Its earliest use as a title was in German keyboard manuscripts from before 1520, and by 1536 is found in printed tablatures from Spain, Italy, Germany, and France.