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Kansas native Clare Harner (1909–1977) first published "Immortality" in the December 1934 issue of poetry magazine The Gypsy [1] and was reprinted in their February 1935 issue. It was written shortly after the sudden death of her brother. Harner's poem quickly gained traction as a eulogy and was read at funerals in Kansas and Missouri.
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In the early 1980s Harkins sent the piece, with other poems, to various magazines and poetry publishers, without any immediate success. Eventually it was published in a small anthology in 1999. He later said: "I believe a copy of 'Remember Me' was lying around in some publishers/poetry magazine office way back, someone picked it up and after ...
The work begins with the poet asking what ghost beckons him onward with its "bleeding bosom gor'd"; it is the spirit of an unnamed woman (the "lady" of the title) who acted "a Roman's part" (i.e., committed suicide) due to loving "too well." The speaker eulogizes her sacrifice and then for several lines berates and curses her uncle (who is also ...
In Memoriam was a favourite poem of Queen Victoria, who after the death of her husband, the Prince Consort Albert, was "soothed & pleased" by the feelings explored in Tennyson's poem. [15] In 1862 and in 1883, Queen Victoria met Tennyson to tell him she much liked his poetry.
"In Memoriam", several satirical poems by fictitious writer E. J. Thribb for Private Eye In memoriam segment , a memorial included in an awards show or other aired event לזכר , the Hebrew word represented in the design of the National Holocaust Names Memorial (Amsterdam)
Though often assumed to form part of the poem, they were written not by Byron but by his friend John Hobhouse. [3] A letter of 1830 by Hobhouse suggests that Byron had planned to use the last two lines of his poem by way of an introductory inscription, but found he preferred Hobhouse's comparison of the attributes of dogs and people. [3]
Poems of 1912–1913 are an elegiac sequence written by Thomas Hardy in response to the death of his wife Emma in November 1912. An unsentimental meditation upon a complex marriage, [ 1 ] the sequence's emotional honesty and direct style made its poems some of the most effective and best-loved lyrics in the English language.