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Sigmund Romberg (July 29, 1887 – November 9, 1951) [1] was a Hungarian-born American composer. He is best known for his musicals and operettas , particularly The Student Prince (1924), The Desert Song (1926) and The New Moon (1928).
Lover, Come Back to Me" is a popular song composed by Sigmund Romberg with lyrics by Oscar Hammerstein II for the Broadway show The New Moon, where the song was introduced by Evelyn Herbert and Robert Halliday (as Robert Misson). The song was published in 1928.
Maytime is a musical with music by Sigmund Romberg and lyrics and book by Rida Johnson Young, and with additional lyrics by Cyrus Wood. The story is based on the 1913 German operetta Wie einst im Mai (Like Once in May), composed by Walter Kollo, with words by Rudolf Bernauer and Rudolph Schanzer. The story, set in New York, is told in episodes ...
Pages in category "Songs with music by Sigmund Romberg" The following 5 pages are in this category, out of 5 total. This list may not reflect recent changes. L.
Up in Central Park is a Broadway musical with a book by Herbert Fields and Dorothy Fields, lyrics by Dorothy Fields, and music by Sigmund Romberg.The musical, originally called "Central Park" before Broadway (see image of sheet music), was Romberg's last stage work produced during his lifetime.
These include dancer Cyd Charisse (dubbed by Carol Richards), Rosemary Clooney (Ferrer's wife), Vic Damone, Howard Keel, Gene Kelly and his brother Fred Kelly (their only on-screen appearance together), Tony Martin, Ann Miller, James Mitchell, Jane Powell, Joan Weldon, and the ballerina Tamara Toumanova (dubbed by Betty Wand).
"Lover, Come Back to Me", a song written by Sigmund Romberg with lyrics by Oscar Hammerstein II for the 1927 Broadway show The New Moon, also sung in the 1940 film "Lover Come Back to Me" (Dead or Alive song), a 1985 single "Piya Tu Ab To Aaja" (transl. Lover, Come to Me Now), a song from the 1971 Indian film Caravan
One Alone is a popular love song composed by Sigmund Romberg with lyrics by Oscar Hammerstein II and Otto Harbach for their operetta The Desert Song; it is the "western" part of a scene in the operetta contrasting eastern and western notions of love. It was introduced by Robert Halliday.