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Chicago critic Roger Ebert (right) with director Russ Meyer. Film criticism is the analysis and evaluation of films and the film medium. In general, film criticism can be divided into two categories: Academic criticism by film scholars, who study the composition of film theory and publish their findings and essays in books and journals, and general journalistic criticism that appears regularly ...
Film analysis is the process by which a film is analyzed in terms of mise-en-scène, cinematography, sound, and editing.One way of analyzing films is by shot-by-shot analysis, though that is typically used only for small clips or scenes.
Cinema Speculation is Tarantino's debut work of nonfiction and combines "film criticism, film theory, a feat of reporting, and wonderful personal history." [1] The book is a collection of essays organized around "key American films from the 1970s" which Tarantino saw in his youth, [2] ranging from blaxploitation films to all the Best Picture nominees of 1970. [3]
New Orleans natives may be slightly disappointed to find that a movie titled “Crescent City” — long a popular nickname for the storied Louisiana metropolis — actually is set in and around ...
Roger Ebert (Chicago Sun-Times, At the Movies with Ebert & Roeper) David Edelstein (New York Magazine, NPR's Fresh Air, CBS Sunday Morning) Glenn Erickson (Online Film Critics Society) Manny Farber (The New Republic, Artforum) Otis Ferguson (The New Republic) Arturo Rodríguez Fernández; John H. Foote; Gary Franklin ; Philip French (The Observer)
Ebert's Bigger Little Movie Glossary (1999) – a "greatly expanded" book of movie clichés. (ISBN 0-8362-8289-2) I Hated, Hated, Hated This Movie (2000) – a collection of reviews of films that received two stars or fewer, dating to the beginning of his Sun-Times career. (The title comes from his zero-star review of the 1994 film North.)
Anthony Oliver Scott (born July 10, 1966) is an American journalist and cultural critic, known for his film and literary criticism. After starting his career at The New York Review of Books, Variety, and Slate, he began writing film reviews for The New York Times in 2000, and became the paper's chief film critic in 2004, a title he shared with Manohla Dargis.
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