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The Midas Monument, a Phrygian rock-cut tomb dedicated to Midas (700 BCE).. Ancient monuments of rock-cut architecture are widespread in several regions of world. A small number of Neolithic tombs in Europe, such as the c. 3,000 B.C. Dwarfie Stane on the Orkney island of Hoy, were cut directly from the rock, rather than constructed from stone blocks.
Building structures mostly used a simple beam and column system without vaults or arches, which based strict limits on the spans that could be achieved. However, the Greeks did construct some groin vaults, arch bridges and, with the Egyptians, the first high rise, the Lighthouse of Alexandria, one of the Seven Wonders of the Ancient World.
Opus incertum on the Temple of Jupiter Anxur in Terracina, Italy. Opus incertum ("irregular work") was an ancient Roman construction technique, using irregularly shaped and randomly placed uncut stones or fist-sized tuff blocks inserted in a core of opus caementicium.
Since the discussion of construction techniques to lift the blocks attempts to resolve a gap in the archaeological and historical record with a plausible functional explanation, the following examples by Isler, Keable, and Hussey-Pailos [30] list experimentally tested methods. Isler's method (1985, 1987) is an incremental method and, in the ...
Opus isodomum ("work of equal height") is an ancient technique of wall construction with ashlars. It uses perfectly cut, completely regular squared stone blocks of equal height, and sometimes of the same length.
Archaeologists excavating the site of Pompeii have uncovered an ancient building site, revealing Roman construction techniques used by builders at the time, according to the Italian Ministry of ...
Opus quadratum ("squared work") is an ancient Roman construction technique, in which squared blocks of stone of the same height were set in parallel courses, most often without the use of mortar. [1] The Latin author Vitruvius describes the technique.
The pigments used in the ancient world were delicate and especially susceptible to weathering. Without necessary care, the colors exposed to rain, snow, dirt, and other factors, vanished over time, and this way Ancient buildings and artworks became white, like they are today and were during the Renaissance.